I would say first and foremost that the original poster should actually start not by spending money but by spending time - listening to a variety of combinations of tables/carts/arms/etc. So far we have no information on his tastes, system, and any 'philosophy' he has. Depending on his physical environment, there may be a substantial difference between a Brinkman Balance and an SME 20/2 and there is also the matter of taste. Some people have gotten extremely good results out of idlers on stonkingly large plinths with great arms attached. Some people are philosophically oriented towards designs with a suspension. Go figure... Until we have more information, this exercise simply becomes "pick-my-personal-favorite/dream-table/arm/cart-combo-for-20-grand."
While I agree with Detlof, Gregm, and others about the importance of set-up, I would also argue that learning to do so oneself is also critical. One cannot depend on the dealer (from whom one bought new) coming over every time one changes something (tonearm, cart, record mat, flimsy vinyl vs 200g vinyl).
I personally would recommend used because the cost of selling out that one and upgrading later is limited. There is a substantial learning curve to go up in any case, and if one is unwilling to throw oneself into the deep end (especially given "instant lifeguard" support provided by the Audiogon community in the form of neighborly support, listening groups, and expertise on the forum - evidence this thread (not to mention the archives)), spending a lot of money to get into really great analog sound is perhaps unwise in itself. Really great analog sound is always going to be more of a DIY affair than really great digital sound.
Personally, I like the Micro's air bearing (suggested by Raul). I also like the simplicity of a Verdier or a Galibier with two arm pods. My personal taste would tend to reducing the number of tweakable instruments (I don't want to tweak suspensions, air tanks, hose length/diameter/material, etc; just arm/cart and base).
While I agree with Detlof, Gregm, and others about the importance of set-up, I would also argue that learning to do so oneself is also critical. One cannot depend on the dealer (from whom one bought new) coming over every time one changes something (tonearm, cart, record mat, flimsy vinyl vs 200g vinyl).
I personally would recommend used because the cost of selling out that one and upgrading later is limited. There is a substantial learning curve to go up in any case, and if one is unwilling to throw oneself into the deep end (especially given "instant lifeguard" support provided by the Audiogon community in the form of neighborly support, listening groups, and expertise on the forum - evidence this thread (not to mention the archives)), spending a lot of money to get into really great analog sound is perhaps unwise in itself. Really great analog sound is always going to be more of a DIY affair than really great digital sound.
Personally, I like the Micro's air bearing (suggested by Raul). I also like the simplicity of a Verdier or a Galibier with two arm pods. My personal taste would tend to reducing the number of tweakable instruments (I don't want to tweak suspensions, air tanks, hose length/diameter/material, etc; just arm/cart and base).
