I have been following this thread for months and months. And have re-read it several times. Here are a handful of questions:
1: How do I audition or get an L7 in my home for audition?
2: Pros/cons/experiences of the output tube options in the L7?
3: Lots of talk of the Lampizator transport. Is this a modern day disk spinner or is "transport" used freely to define a storage space of music files? I am pretty much done with dealing with disks.
4: In the many responses here, there were go's and no-go's with using a Mac Mini as the storage vs. a "transport". But the overall feeling here seemed to be that the MM was a well-respected source into the L DAC's. Still true?
5: How is the USB input on the L5-L7 or is it recommended to use the OffRamp devices to go from the source to this and then into the DAC via SPDIF?
6: Is the DSD option truly a no-brainer? And if so, is my entire music library of .wav files useless for this format? .. and do I need the music converted/captured to a whole new format to benefit from this DSD?
John
1: How do I audition or get an L7 in my home for audition?
2: Pros/cons/experiences of the output tube options in the L7?
3: Lots of talk of the Lampizator transport. Is this a modern day disk spinner or is "transport" used freely to define a storage space of music files? I am pretty much done with dealing with disks.
4: In the many responses here, there were go's and no-go's with using a Mac Mini as the storage vs. a "transport". But the overall feeling here seemed to be that the MM was a well-respected source into the L DAC's. Still true?
5: How is the USB input on the L5-L7 or is it recommended to use the OffRamp devices to go from the source to this and then into the DAC via SPDIF?
6: Is the DSD option truly a no-brainer? And if so, is my entire music library of .wav files useless for this format? .. and do I need the music converted/captured to a whole new format to benefit from this DSD?
John