SOTA vacuum or no?


I am considering a new SOTA Sapphire or Nova as a replacement for my VPI Scoutmaster. I am aware of the differences in features between the Sapphire and Nova, but the biggest difference is obviously the presence of the vacuum clamping system present on the Nova. Is it worth it? The price difference between these two SOTA's is about $1400, I think. I am curious as to the reliability of the vacuum system, sonic benefit versus using the SOTA I-clamp or Reflex clamp alone. Also, how easy is the vacuum system to live with? I'd prefer minimal tweaking, if possible. Thanks!
rockinrobin
I have never read anywhere where a VPI user has ruined his cantilever by using the outer ring. The point I was trying to make, using the outer ring is as easy and as safe as not using the outer ring on any table.
Rccc, do you own a VPI outer ring??

The outer ring has advantages sonically on some LP's, and the same without. There are no absolutes in this hobby.

I believe some like the "Soundfountain" outer ring is a little more dangerous to use as it just sits on top of the record.
Yo Downunder,some "older" folks don't have as steady hands as some other folks.I have seen the problem,with ring clamp " between groove and clamp-valley of death" cantilever damage!
This does not mean the Ring clamp is to be "absolutely" avoided,but be VERY careful!!It takes a half second to be very unhappy!
Btw,those with the hands of a vascular surgeon,can disregard this -:)
Best
Yo Speedy

As they say. You are only as old as the girl you are "feeling"

me, my hands are not that steady, so I use that thing called the arm cue. goes and up and down and guess what - safe to use as well. outer ring or no outer ring
Downunder,actually I have "no unsteady hand issues" myself,and would be confident with an outer ring(except for the "knock" it got from the folks at Grand Prix Audio,regarding "exactitude" in "fit" as it pertains to wear on bushings,during play...but that's thier spin...not mine).Hmm!
Yet,my friend is no "idiot" or "dumb ass",but is a little long in the toothe(God bless him),so must be really careful with the "ring clamp of death, to Canti" -:)
Hey,in truth if it works,it works!(just joking,actually)

Understand,as of here and now,I'd be happy with "any" functioning set-up!.....an issue I hope to have solved in the next few weeks,or God forbid...,months(I've decided to make my pre/phono problem into a major upgrade)!
Still atively collecting LP's though...NO Wolfmother discs yet -:)

Now you know why I'm a bit ancy!...You guys from Rod Laver country are still a great posters anyway!
I am a big fan of vacuum clamping, but, a few words of caution are in order here.

I run the vacuum pressure as LOW as possible -- just enough to pull the record flat to the platter -- in order to minimize the possibility of damage. I know of claims that the vacuum damages records, either by pulling plasticizers out of the record or by grinding in dirt that is on the record or the hard platter surface. When I first got my table, I ran the pressure higher than I do now. For some records, I notice more clicks and pops on the side that was less frequently played. Some of the extra noise was ameliorated by a good cleaning, but, I cannot be sure I was able to cure all of it. I now run the vacuum pressure on the low side, and I keep the platter surface very clean. When not in use, the platter is covered by a sacrificial record used as a dust cover (a Charlie Rich record someone gave to me). I also use a microfiber cloth to clean the surface once in a while. I have since had no issue with noise.

Most of the comment here as been about the vacuum curing warps. It will certainly do that (provided you jack the pressure up for those particular records), but the real benefit is that the intimate contact between the record and a platter dampens vibrations imparted in the vinyl by the needle tracking the groove. ALL records, not just warped ones can benefit from such dampening.