Would Like To Hear From Strain Gauge Owners


I would like to hear from owners of Strain Gauge cartridges (particularly Soundsmith owners)as to how you like the strain gauge system compared to previous cartridges you have owned. Is there any drawbacks to the Soundsmith Strain Gauge system?

I am located in the Cincinnati, Ohio area. Is there any Soundsmith Strain Gauge owners in the Ohio, Kentucky, Indiana area?

I read the review of the Strain Gauge system on Audiogon by Vac man. It was a very good review and answered many questions for me. I would like to hear from others who also own strain gauge cartridges.

Thanks in advance for any info that you can give me.
slowhand
Dear Peter: I don't want that you can/could think that my posts on your SG device are because I'm against you or against your device,no I'm not and I'm not questioning the SG device by it self design and has nothing to do with 0.1db figures elsewhere.

You fix at least two of my cartridges where you made an excellent work and I support you about here an elsewhere on your re-tipping very high quality " performance ", no doubt about.

The SG subject is really simple: I'm not saying that it is a bad device ( I don't like what I heard in the same manner that are people that like it, it is only a priorities subject. ) or that your design work is bad too: NO, what I'm saying is that IMHO and from what I heard and read your SG does not conforms according to the RIAA eq standard and there is nothing wrong with that because you or any one else can/could design anything you want.

Subject is that almost all the people ( including some of the SG owners. ) have questions about and these questions needs answers and the best source about is you.

Maybe you don't want to give us ( or to me ) a precise answer but IMHO it will be healthy to do it: there is nothing to hide about, or is it? why to leave to the controversy your very well made SG design? don't you think that your today and future customers deserve to know what is happening " around "?

Again, thank you in advance.

Regards and enjoy the music.
Raul.
Raul, I know and appreciate that you are offering your honest and knowledgeable opinion.

However, this whole .1 dB is your interpretation of what is necessary. This subject has been discussed here several times. Your opinions on this as well as the valuable opinions of other phonostage designers on this issue can be found in the archives with a quick search. I think most of us who have even the slightest knowledge of Paul's strain guage know about the RIAA thing.

When you get on this RIAA kick I think it would be more ethical of you to add that you are a designer/manufacturer of a commercial preamp that has a built-in phonostage that competes against Paul's SG.
I do not own a strain gauge cartridge and know very little about the technology, but I'm interested in the product because it has received some good reviews and I've read comments from many happy owners. I'm considering replacing/upgrading my Sumiko Celebration cartridge.

In my opinion, Raul raises an important question and that is: does or should a particular piece of equipment conform to certain agreed upon standards. In this case the RIAA curve which is necessary/essential for the proper/accurate reproduction of music played back on an LP. Some phono stages even offer different curves (selectabe by the user)for a more accurate reproduction of certain recordings.

Could we hear from the designer on this simple point?
I have heard the s/g and too thought it not my glass of orange juice. Although I couldn't say what I didn't like about it...it just didn't seem "right". I thank Rauliruegas for shedding light on the subject.