My LP couldn't beat my CD, until now


I'm an owner of a new VPI Scoutmaster w/Sumiko Blackbird cart. I, like so many recently, have returned to vinyl after a long time, seeking (as always) the absolute sound.

I'm an 80s kid; a product of the CD revolution. I enjoy my Slim Devices Transporter and all the convenience it delivers. However, I've felt that there's been something missing around music listening, and everyone's talking about analog anyway, so I took the plunge.

Imagine my disappointment when I set up my new 'table, wire it all up, and the first few albums sound flat, a little shrill and generally thin compared to a good rip of the same music off of CD.

I chalk all this up to break-in, to everything in the signal chain from the cartridge to the amp being new and untested. I'm also new at this, and have never set up a tonearm in my life (my goodness, it's a fiddly exercise).

I give it 20 hours of playing time or so, forcibly choosing not to judge. I wait patiently for everything to work in. Still, I find most recordings of everything from Pop & Rock to The Firebird Suite to be palatable and fine listening, but far from the nirvana of naturalness and organic ease everyone says is on LPs.

Well, friends, I think I've had one of those 'holy cow!' moments that come in audiophilia so rarely. A fellow AudiogoNer's recent sale just arrived at my door, and I swapped it in. It's a McCormack Micro Phono Drive, and it's made a tremendous difference in this setup. (I also changed the cable from arm to preamp from Hero to King Cobra for length, but I truly doubt that's what I'm hearing.)

My point in posting all this is to say that I never expected such an assumedly minor part of the signal chain to make such a magnificent difference in the enjoyability of LP listening.

It took a pinched soundstage and made it full-bodied. It took a somewhat shrill and tinny, crackly high end and tamed it. It filled in the bass from 'there' to 'wow'. In short, it completely saved what I thought was a flawed and disappointing attempt at analog.

I was all ready to post a 'LP can't possibly beat CD, so what are you smokin'?' message, but this one, simple thing has changed my mind! 80s kids out there, don't lose hope! there really is something to this LP scene.
forddonald
Caution regarding 180 gm vinyl.

I've heard from others here the quality of many 180 gm pressings is questionable. The quality control of the golden days of vinyl past is rumored to not be there these days.

Just repeating what I've heard. Don't know if its true. I hope it is not but I don't know for sure.

I mostly buy cheap used records in good shape when I find them.

I was in a busy local music store that sells mostly CDs and DVDs recently. They recently opened a separate vinyl room predominantly up front featuring new vinyl releases, not old used stuff.

The store was very busy with dozens of people but none were in the vinyl room except me.

When I saw the prices, I left as well to scour CDs.
LP an art forum? Silly, its all science. Matching that is. Getting the chain right is what it is all about. Glad you are on your way to better sound.
Mapman,
The N.Y Times had an article about people in N.Y. who play RECORDS!
At parties, even!
Check out the news: You Say You Want a Revolution (at 33 1/3)

BTW, did you know the word "gullible" isn't in the dictionary?
Mapman, WHOA!!!

There are tons are great sounding 180g and 200g LPs out there. Given the horrid condition and lack of availability of many used titles, must analog lovers are best served by both used and new LPs. There are many threads here outlining great recommendations of various new 180g LPs of every genre. Please check some out. Without sending the thread on a total bender, at least look into Speakers Corner, Classic Records, Music Matters, Analogue Productions just to new a few. Great stuff abounds! Cheers,

Spencer