10 Levels of Turntable Mastery


Maybe this will be an intersting thread. Maybe it will be quickly forgotten. Either way, I'd throw it out there for discussion and debate.

Could we, as a collective, define 10 Levels of Turntable Mastery? 1 being a complete novice, 10 being the master turntable guru. Perhaps we even start at 0.

TML 0 - Digital Only
TML 1 - If you own and use a turntable, you qualify for TML 1.
TML 2 - ?
TML 3 - ?
etc.

I figured I'd fall into the 4 to 5 range. I understand the geometry enough to create my own protractors. I can use these protractors to set up tables with variable P-to-S distances. I can arrive at an acceptable starting point for anti-skate. I can set an initial VTA and VTF, but I'm not attune to the minor changes in these values (given my cartridge and associated equipment). I have no idea how to use an oscilloscope to validate and verify an accurate setup.

This isn't about who can buy the most expensive toys. A Walker owner may be a TML 1 while there may be Technics SL-1200 owners that may come in at a TML 8 or 9.

I think this would interesting to define these levels not only to benchmark where one is at as a Turntable Master, but what are the next things to master along the analog journey.

Who want's to take a crack at it? If this thread goes anywhere, I'll periodically summarize the posts into the current TMLs to help foster discussion and debate.
128x128nrenter
TML 10 is for those who bought a Analog combo which holds the settings ... ahem, or is that Level 1? :)
Woah! Based on what I am seeing, a TML would have to be able to design and build a reference quality TT, arm and cart using a boy scout knife and a roll of duct tape!
TML 10: master: built their own turntable and arm and it kicks ass on everything commercially available. This is not by the individual's claim; the knowledge of this is gained only by word of mouth. Anyone who says he is, isn't; turn around and run as hard as you can.

TML 9: In business as an acknowledged leader in the field, one whose product is beyond reproach.

TML 8: this is the level most aspiring audiophiles will rise to- able to create the best performance from any turntable placed in front of him, has a good idea of what machines produce state of the art performance, can set up proper cartridge loading, complete arm setup regardless of model- proper attention to VTA, nuance in tracking weight, effective mass, etc.

OK- not sure if I can define anything below that... :)
Tml 10 guys are too smart and happy to debate this topic.

I have a SOTA with a re-wired Rega 300, RCM, outboard stage and so on but I have pros and friends do all my set-up, I just clean and play music. While I dont know or care to be graded I will say that the statement about the SL1200 guy being maybe a 9 doesnt make sense because if they had that much knowledge they would almost for certain understand a better table would be easily had......maybe the 8-9 would have one as a second or third table but thats as far as I would go.