Probably it is helpful go write some information about RCM's in general.
The most famous and (and the most expensive by far ) was the Point nozzle from Keith Monks (Monks RCM..some sizes...some modifications).
He made a superior Design 30 years ago and it is still unsurpassed (from the idea and the way it works).
That one was the only one which was used in Studios, Record libraries and Radio stations all over the world. Reason was (or is):
-superior cleaning Result
-very, very silent compared to others
-it is a workhorse, nothing gets hot or breaks
-the cleaning result is identical good from the №1 record in the morning
to the № 400 in the evening
(Problem: the Price, is was very hard to sell with the Mark Ups which are used in High end ---> Copies started)
Monks got older, his RCM was still expensive and the first copies were made.
Loricraft is based on the Monks System (Point nozzle), it is a good machine based on a competitive pricing
Source Odyssey is made from the former Monks Importer in Germany (Keith Monks passed away some years ago), same System but with the "Made In Germany" Parts Standard and Function. The overkill :-)
Monks jun. is back in Production and the Keith Monks from GB is available again.
Then you have those RCM's from VPI, Hannl, Clearaudio etc.
They clean in a different way, they are very fast, but the noise is something special and the cleaning result can't reach a Point nozzle (simple Physics)
And Ultra Sonic cleaning like Glass Audio is offering
Good as they are (better than not cleaning records) we start - unfortunately - in a new Vinyl Era:
Noisy vinyl, or damages in the grooves from factory.
Unfortunately, when you have such records, nothing will help.
All those units are made to remove something which came into the grooves AFTER the record was in use, but they can't repair them.