VTA on a Triplanar

Sunnyboy i would suggest making very small movements and then give that adjustment the time to audition a few of your lps. A little goes a long way in all of your arm adjustments.

There really is no way to correlate what one Triplanar user finds to work for VTA with what another Triplanar user uses for VTA, unless the cartridges are exactly the same (even 2 lyra's probably won't be exactly the same), the tables are exactly the same, the mounting is exactly the same, etc. The markings on the tower are simply a reference indication. You just need to learn to trust your ears.

The best I can tell you is that my Triplanar sits slightly tail up with my XV-1s. With this cartridge I can pick up on the sonic differences that come with changes in VTA adjustment, but it is no where near as sensitive to this as a Universe for example. I've never heard the Lyra but it could very well be that it is not overly sensitive either.

Hi Sunnyboy,

There is no industry standard for height differential between platter and tonearm mounting plane, although turntables tend to be clustered fairly closely in this dimension.

The point is that a Tri-Planar setting of 5.5 on one turntable can be the equivalent of another turntable set at 6.25 (using an identical cartridge).

Use a level headshell as a starting point.

Cheers,
Thom @ Galibier

VTA depends upon your own individual arm/cartridge set-up which is what I think everyone has said to you. Start by getting a level arm early in the arm set-up process before worrying about VTA adjustments. My own set-up puts the VTA dial on my Tri-Planar VII Arm arm between 50 and 70 depending on record weight, the way the grooves were cut, digitally remixed vinyl, straight analog vinyl, mono, and stereo recordings. This statement does not include the variabilities of your table and its sound qualities, your phono stage, or the platform on which your table sits and how all these elements interact. Set everything up well and then listen to your records and mark each one if you like with its own VTA. If you have a highly resolving system, you should easily be able to hear the smallest change in VTA.

Many thanks appreciate the advice. I guess there are no shortcuts but a slow trial and error process. I think I am getting frustrated coz the VTA that works, for example with female vocals is less than good with blues or rock. May be I should stop looking for an ideal setting...simply level the tonearm...and enjoy the music...except that when I enjoy the music there is that little devil that keeps telling me that it could sound better and off I go again...almost wish I had stuck to the Rega RB 1000!!
I am sure I will get there eventually.
Happy listening