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Single plinth for multiple table/motors

I recently saw a picture in another thread about a Sony TTS-8000 which got me thinking. Would it be possible and/or reasonable to build a single plinth (in the manner of CLD a la Lenco "Home Despot" tables or similar to the construct of Alberporter's recent Technics SP-10 Mk2 and Mk3 efforts) which would accept a "top plate", to which the table/motor was affixed, similar to the way some of these tables have armboards to switch arms.

I have a couple of table/motors that I would like to re-plinth, and a couple of arms which I would like to use. If I could affix the table to the "plinth top plate", and then seat the "plinth top plate" within a larger "outer plinth", my thought is that a slight change in material construction between the top plate and the larger outer plinth would have the effect of reducing overall plinth resonance. It would also allow me to build a single large "outer plinth" and cheaper sub-plinths for each table so that I could play around with several others. Theoretically, once I build a basic plinth, I could add more TTs/motors, or simply change from one TT to another at some point in the future, building only the sub-plinth in order to make it work. I would not need to build (or get built) a whole new plinth with sets of armboards each time I wanted to change things.

Any thoughts as to whether this is a stupid idea? Or any thoughts about methods of attaching the sub-plinth (the one carrying the table) to a larger "outer plinth" would be helpful. I was almost thinking that using something like bicycle wheel quick-release assemblies which would clamp on the bottom would be one way to be able to change them quickly and efficiently, and to allow a little bit of flexibility in how hard one clamps down (when I tested headshell screw tightness, I was surprised to discover some changes are audible).
t_bone
edle
235 posts
 
I tried that already. I constructed a plinth for my Technics SP-10 MK1 and Garrard 401 a year and a half ago. It is not fun or easy to change a armboard with tonearm in it. It is more difficult to change the whole TT. It is very easy to damage the TT or anything under it and as you said, it is a very very stupid idea:) !
mosin
410 posts
 
T-Bone, you almost lost me there with all the switching around, but if you do a plinth right, I believe it would be really hard to pull off. The reason is because different mechanisms require different sorts of tuning. Different top plates resonate in different ways, too. A plinth that might bring the best from an SP-10 might not do so well for a Garrard 301. It seems like a tricky proposition to me.
t_bone OP
1,182 posts
 
I re-read my post afterwards and it is confusing. I am thinking of building a CLD "donut-plinth" and then seating that "donut-plinth" within a larger plinth which would have the tonearms. The other way to look at this would be to think about it as a "table-board" the same way one has "arm-boards" for that kind of plinth.

I hadn't really thought about how much different a plinth would have to be between a couple of different TTs. It is not surprising, however, that they might have to be different to be perfectly matched to the table and top plate. I would almost expect that using a different kind of "table-board" inside a large/heavy plinth frame would actually go a fair ways to accomplishing that, but the answers so far point away from this.

Mosin, assuming different mechanisms require different sorts of tuning, how does one acquire the knowledge to know without a huge amount of experimentation what the best starting point is for a particular mechanism?
dazzdax
599 posts
 
Hi, everyone is discussing about plinths. The bigger the better. Why such neurosis? Plinths are pretty to look at but do they really give much sonic improvement? Plinths could add colorations to the sound --> is that what you want?

Chris
mosin
410 posts
 
T-Bone said, "Mosin, assuming different mechanisms require different sorts of tuning, how does one acquire the knowledge to know without a huge amount of experimentation what the best starting point is for a particular mechanism?"

This is a good question, and I do not have a ready answer for it, except to say that each material used should be with purpose, and not simply a guess. It is experimentation really. That, and research of the materials present and those you plan to add. If you look at a turntable as an entity unto itself, that is the only way to reach any sort of meaningful conclusion. Otherwise, you won't have a clue about what you did right, or what you may have done wrong. In the end, it may look as if it was easy, but that won't necessarily be true.
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