Hi Pryso,
The forward position of the stylus relative to the cartridge mounting holes is more of a statistical norm than an industry standard. Frank Schroeder has observed this norm to center around 9.25mm.
I know the ZYX (Airy-3 and Universe) come in at 9.00mm, and the Dynavectors vary, but in general fall into the 8.00 to 8.25mm region. I haven't compiled as large a database as Frank has, but don't doubt his 9.25 number.
SME's assumption is that you can compensate for these small differences in effective length by moving the arm for and aft in the track, to arrive at a workable combination of effective length (as dictated by your cartridge) and overhang/pivot-spindle.
In my early days at Galibier, I advocated this as well, using the articulated armboard to adjust pivot to spindle distance. To a certain extent, I trivialized the importance of offset angle as does SME.
While I now advocate the use of an arc protractor (certainly for precision in setting of effective length and overhang/pivot to spindle parameters), the importance of offset angle is still one that I would like to explore further.
In a conversation with Yip at MintLP, I posited that offset angle might be considerably less important than dialing in the effective length/overhang parameters (tracing the arc perfectly). Yip has been thinking the same thing.
Both of us however have been respecting all three parameters, and need to experiment with the effect of screwing this third one up (offset angle). Of course, with an arc protractor, it would be a simple matter of separating offset angle from the other two variables (e.g. tracing the arc) in order to observe the effects.
I'm thinking out loud here, but as I visualize the solution, a clockwise rotation of the cartridge (relative to that dictated by Baerwaald for example) would have the effect of shifting both your null points toward the record spindle. So, with a Baerwaald arc, you'd have an alignment that slightly favored the inner grooves as does Loefgren.
I need to both think this through as well as play with this a bit.
This concept of optimizing for the inner grooves at the expense of overall higher distortion in the majority of the record is an odd one to my way of thinking, yet I understand why the fellow who listens to large, romantic works with big climaxes might make this choice.
Back to our old friend, the SME ... Of course, there are two reasons for having a bit of play in the holes in the headshell holes - both of them relating to adjusting the offset angle: (a) due to an alternate effective length dictated by the fore/aft position of the stylus relative to the cartridge holes, and (b) to correct for "out of true" cantilevers resulting from normal production variances.
It's been too long since I owned an SME (an original Model V), but I don't recall much play in the cartridge holes in the headshell. I recall one poster commenting on this forum that he opened up the diameter if his holes a bit in order to play with offset angle.
Cheers,
Thom @ Galibier