I have no issues with the OL build quality. It is nicely made, but without any "bling" factor. It is clearly built for function over form, but I like the rather spartan, yet functional appearance. The owner's manual is very well written and thoroughly covers all setup steps. Yes, there is a ball on a string for antiskate. The antiskate is easily adjustable with a setscrew. The "swinging ball" is not an issue at all. Yes, it swings when the arm is moved, but it stops quickly. There is no need to "wait" before lowering the arm onto a record. The antiskating system is "primitive" by some standards, but I like the inherent simplicity. It works, and there's not much to break or worry about. Azimuth is not easily adjusted (although it can be done), but my tonearm appears spot-on from the factory. VTA is very easy to adjust with a threaded ring. Once dialed in, a set screw is used to firmly secure the tonearm to the mounting block. I've read some stories about potential build quality issues with OL, but my experience has been very positive. Some folks have complained about "looseness" in the bearings. Be aware that the OL tonearms are designed to have this! The play is not loose machining tolerances at all. It is inherent in the unique bearing design and is explained thoroughly on the OL web site and in the owner's manual. Hope this helps...
Turntable/Tonearm Advice
I'm considering one of the following combinations and would appreciate comments from anyone familiar with these. There are no SOTA or OL dealers near me, so I can't listen to any of these (I've never even seen OL gear).
Origin Live Resolution/Origin Live Illustrious MK3
SOTA Sapphire/Origin Live Illustrious MK3
SOTA Sapphire/SME IV.Vi
SOTA Sapphire/SME V
Thanks.
Joe
Origin Live Resolution/Origin Live Illustrious MK3
SOTA Sapphire/Origin Live Illustrious MK3
SOTA Sapphire/SME IV.Vi
SOTA Sapphire/SME V
Thanks.
Joe
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- 12 posts total
- 12 posts total