cart measurement vs quoted spec


Hi,
I'm a bit puzzled by some cart measurements performed with the ACOUSTECH test record, using HP oscilloscope and using (differential connection) through ML 326S phono-modules.

No loading (47k), measured on XLR pre-outputs. The following transpired:
Left vs. Right = *- 2dB* @ 1kHz 7cm/s lateral (mono track), *spec = <0,2dB!*
Left vs. Right = on 1kHz 7cm/s vertical out of phase track, clearly NOT EVEN CLOSE to out of phase!
1 kHz left channel only *- 16dB* leakage to right! *Spec = >28dB @ 1 kHz!*
1 kHz right channel only *-10dB* leakage to left! *Spec = >28dB @ 1 kHz!*

This seems a most disappointing showing indeed. Let me hasten to say that all variations with regards to anti-skate, VTA, VTF, Azimuth and Zenith, were attempted for any optimisation.

I shall not yet disclose the make, which is a VERY well known brand, and their TOP of the range offering.

Has any one got some explanation for how such a major variation can be the case?!

There might just be some folks out there trying there darntest by NEVER getting their apparent alignment problem fixed, please note the various threads, ---- and it might be a cart way out of quoted tolerance?

I have also noted that in this instance, MAJOR Azimuth (+/- 2 deg), VTA, VTF, changes had absolutely MINOR measured effects!
The 'biggest' in this case was 'Zenith' by some 0.5mm left turn to compensate for a 'minor' out of centre cantilever (~ 0.25mm off-set to the left).

Tonality and such is NOT really affected, BUT distortion with massed instruments/orchestra etc. i.e. as soon as things get 'busy' the problems start.

Greetings,
Axel
axelwahl
Thanks Dre,

I will follow up on the Y-connector suggestion, some time next week the earliest.

We used:
2 pairs of single ended scope probes (4 probe/clamps) in differential mode.
The scope was quite recently calibrated I might mention also.

I have posted a bit earlier today my assumption that the cross-talk's lowish level, PLUS the 6dB variance L/R could explain an increased 'smearing' problem at higher accelerations / output.

Would this assumption (all things considered equal for the moment) make some sense in your experience?

I actually think it could be a clue to the massed instrument high level distortion / smearing.

I further assume the 2dB channel imbalance is not nice, but the lesser of the related issues.
It would mostly pull images more to the higher output side, AND produce some image 'fluffing' i.e. the opposite of a 'carved-out-ness'?

Lastly, could you give some indication if this 0.15ohm DCR diff. between the L/R coils is unusual, or is this of no import within your range of testing carried out?

I'm much obliged for your constructive engagement and it might just serve more than only my curiosity.

Many thanks,
Axel
Hi Dre,
as my consultant is back from Munich, please find the rest of the pending answers :(+++)
- Please provide the model number of the O'scope you are using.
+++ Hitachi Model V-212 Megahertz Scope

- Are you using the 10x probes?
+++ NO, we used the pre-amp (326S) XLR output, assumed to be more correct then 10x probe.

- Have you verified the O'scope inputs track each other by tracing the same input signal?
+++ Yes, using 5V square-wave signal to verify both channels are still calibrated.

- Where are you taking these measurements? (What output of your audio system are you using to feed your scope?) there is the possibility of additive and induced error...
+++ ML326S pre-amp XLR out-put, but using the probes between PLUS and GROUND pin.

- The area of resonance could also be possibly due to the tonearm resonance (or somewhere else in the system which is why it would be good to test another cartridge) on that note, does adding damping to your arm change your measurements?
+++ We will follow up with measurement of another cart, and I'll be in touch. Damping with the arm's silicone trough had no influence on the 100Hz ~ 7dB resonance at all.

- are you using a different amplitude settings on the O'scope to take amplitude measurements before you convert the output to dB? these amplitude settings can be off relative to higher settings which could contribute to an error in measurement.
+++ We convert to dB by calculation and value derived from amplitude measurements of scope's screen grid.

- If this is a modern o-scope, are you using the cursors to take amplitude values OR are you using the measurement features to get amplitude values from the scope numerically? (I ask because these time based measurements can be misleading by containing more than the frequency of interest.)
+++ No numerical output, but amplitude calibrated to screen-grid.

- Are the gains settings for the phono-stage set to the same level?
+++ Yes.

- Is the cartridge loading the same on both channels?
+++ Yes.

Depending on how you are gathering the numbers, there could be an entire spectrum of cumulative amplitude which is not exclusive to the frequency intended to be measured and this can also effect your results.
+++ Having discussed this suggestion, I'm told this was highly unlikely as there were no indications noted that would have supported such.

There are a number of variables that can stack up and add errors to the measured results. Some other thoughts are the crosstalk introduced by the system itself- this can be checked by sending the output of one cartridge channel into the both input (L&R) of the phono-stage by using a Y-connector.
+++ As mentioned already, we will use this suggestion for additional verification and I'll keep you posted.

Thank you again for all these valuable inputs,
Axel
Hey Axel,

Do you have the Cardas Test Record and if so, can you guys try this approach? (It may be similar to what you are doing but I'm not sure, so here goes). I probe from the phono stage output to keep other unknowns to a minimum, but probing from the preamp out should work. Also, I don't use my o-scope. Instead I use a DMM with MAX feature and at least 3 decimal place accuracy.

There are two, 1kHz test tone tracks. One is for the left channel and one is for the right channel.

Play the track for the left channel and record the peak voltage at the left output. That is V1.

Play the track for the right channel and record the peak voltage at the LEFT channel output. That is V2.

And, naturally: dB = 20 * log(V2/V1)

Now reverse the process for the right channel measurements. I don't get the published -30dB specs, probably only about 1/2 of that, for my XV-1s but I'm sure cartridge manufacturers have a better way to measure all of this without putting stylus to vinyl. However, I do get 1.0 to 1.3 dB of crosstalk which is very close to the published 1 dB spec from Dynavector. IIRC, I was getting -15dB on the right and -14dB on the left. Or something like that, which doesn't sound far from your original numbers.

HTH
Howdy Dan_ed
ha, ha, :-)
>>> ... but I'm sure cartridge manufacturers have a better way to measure all of this without putting stylus to vinyl. <<<
As we say over here: "my foot in a fish can..."

I asked them about the value of the induction of that cart uH..., was busy with figuring out primary SUT loading and the right RC for resonance damping ---- they do not even measure it or know!
I think they make a well working lot of samples by hand and then run production, no measurements no more. How else can you get such variations to happen, correct me if I'm wrong.
Output's the name of the game, even for the more pricy stuff.
Next, I unfortunately have no "Cardas Test Record" and if I can find one it's quite expensive I guess. The one I used "The Ultimate Analog Test LP" we bought at the RMAF.
Next thing is, that this cart has now been recalled, so we'll see what 'non-vinyl measurements' they will quote --- my best guess is non. They'll rework it and send it back in 3 month time, that's how it's done. It's not my first issue with them, you see.

Now, we have planned to do some follow-up measurements (same method, same rig, getting scientific...:-) using a Lyra Dorian and maybe some other cart, I'll keep you posted.

The joke of today is (for me) that I picked up a Garrott (A&R) P-77, MM for NOTHING!
It sound better than that... well you know what. It's not funny actually 3500$ MC getting whacked by a 40 year old MM for nothing!
Words fail me, and Raul will giggle quietly, saying I told you so... :-)

Your XV-1s is some fine item, I heard it at the RMAF and my take was, it to be superior to, well you know what.

Now your: "I do get 1.0 to 1.3 dB of crosstalk.." doesn't compute with me, it should <-28 or -30dB compared to the opposite channel when ONLY the opposed channel has information i.e. either lateral or vertical as is done with that test record from Analog Productions.
Maybe you can help me to get a handle on how this cross-talk measurement of yours compares.

Greetings,
Axel
Yes, well I posted too quickly here at work. That is,of course, 1 dB of channel separation. ;-)

Anyway, your Ultimate Analog Test LP has the tracks I mention. Tracks 1 and 2 on side 1. They are used for az adjustment but work pretty well for this also.

I think we both need Dre on this one.