Killing sibilance distortion - VPI & Jubilee


Hello,

Along with what others have posted in the recent past, I also have a long running case of nasty distortion on sibilants with my vinyl playback. It is worse in the inner grooves.

To build on some other recent threads about this topic, I ordered a MFSL that is supposed to be a good test for mistracking. I have made a recording clip of my playback playing some of the last track on Side 2.

I have the recording on this link:

Playback Recording

If you take a look at that, we can all be on the same page with what exactly is going on.

The setup is a VPI Scoutmaster table, JMW9 sig arm, Ortofon Jubilee cartridge. The table is leveled on a Salamander Archetype rack. VTA is set with the arm parallel. VTF is set to 2.4g. Alignment is setup with the MINT arc protractor, 10x magnification. The VPI mechanical Anti-Skate is being used, with the lighter rubber washers. Azimuth is level by means of the "VPI straw trick" (a straw in a groove on the headshell).

Is there anyone that can point me in the right direction to fix that sibilance distortion you're hearing on the recording?

I've tried quite a few things, including different cartridges, and VTF, VTA and antiskate settings, but the sibilance is always there.

Here are some photos of my setup:

Cartridge Closeup

Aligning with the MINT

Thanks for reading
by Goatwuss
goatwuss
Hello all,

First of all - thank you for spending your time and thoughts on this! I will try each recommendation that is posted on here within the next couple of days, and I will update the thread as I go along with more photos.
I'm pretty certain it will be further in with the original VPI alignment.
Good prediction. If VPI's alignment is a single null point, as I think Downunder implied, or if its two null points are more closely spaced than Baerwald, that's guaranteed.

Unfortunately, a single point alignment or an alignment to two more narrowly spaced null points will put the stylus farther out of alignment on inner grooves.

I've not heard the GCPH, but the Syrah falls short of the performance levels needed to play challenging tracks like this with real clarity. I'm familiar with it and its costlier brothers, the Cortese and Grange, including the final mods to the Grange before it was dropped. They were all prone to microphonic feedback which resisted every attempt at isolation or damping. The tightly packed upper-midrange harmonics and their echoes in that AK recording would be muddied by any Supratek, IMO/IME.

Throw in an unstabilized unipivot and a cartridge which is not the last word in clarity and you may have a recipe for problems which no adjustments can fix.

Which other cartridges have you tried? The Jubilee was, in my system, somewhat muddy and undynamic. I don't remember it having sibilance isssues but I didn't try it on the most challenging material, since to our ears it couldn't pass muster on easier stuff.

What a depressing post. Sorry. :-(

Do try the suggestions of Axel, JohnBrown, Downunder and everyone else. I'm afraid my ideas involve spending lots of money.
Axelwhahl-the Mint protractor requires you to align zenith via the canteliver-not the cart body. Of course, one should always follow that model, no matter the protractor that's being used.
Hi Johnbrown,
you say...
>>> ... requires you to align zenith via the cantilever-not the cart body <<<

Well, yes I guess by only using the mirror from below, right?
It still can be tricky (that Jubilee's cantilever is tugged in-between two side-cheeks) and ever so often the cart body just happens to 'guide' ones (mis)judgment, YMMV.

Axel
Axelwhahl-All true. I was just reiterating what I'm sure you know (probably better than I) that one should never use the body of the cart for alignment, no matter which plane you're aligning. For instance, I often see VTA/SRA tutors telling people to 'level the tonearm'. While that may be useful as a baseline for further adjustment, it really has only a cursory relationship to the alignment one must pay attention to-that of the stylus in the groove.