Installment 3 of the stock HAPZ1 vs MW5400 comparison.
Tonight's music selection:
1) Shostakovich 10 Kitajenko/Gurzenich-Orchester Koln
I listened to the music from the beginning through about 5 minutes of the 3rd movement, first with the HAPZ1, then with the MW5400, then back to the HAPZ1 to confirm my initial impression. The music was thoroughly enjoyable through both machines. The HAPZ1 continued to exhibit its previously noted strengths. Fast attacks, articulate, detailed-- I also noted that the initial edge the MW 5400 had on dynamics has disappeared. If anything, it is now the HAPZ1 with superior dynamics. I also noted that the HAPZ1 was a little stronger (and faster) in the bass--keep in mind I'm talking 45-50Hz here (monitors). I will give this more attention when I rotate the Maggies in, but even so, we are only talking 37 Hz. The MW5400 continued to shine with respect to smooth silky, sweet strings. I also noted much more of that wonderful fruity woodwind sound from the 5400. It's the tube magic with respect to upper harmonics at work here, I suspect. This is important, because it really is so much of what draws many of us into the music. I do hope the ModWright HAPZ1 modification imparts this tube magic to the machine. Even so, I preferred the HAPZ1 by a razor thin margin.
2) Bach, Sonatas for violin and harpsichord #2. I chose this disk, because in contrast to so many harpsichord recordings, it does not sound like "Two skeletons copulating on a tin roof." The HAPZ1 brought a little more to the harpsichord, ironically, based on superior upper harmonics. Go figure. I might have preferred Ehnes' violin via the MW 5400, but again this was a tough call. Probably a toss up here overall.
So, based on what I have heard so far, if I had 2K to spend, and had my choice between a used MW 5400 and a new stock HAPZ1, which one would I choose? Sophie's choice! Don't make me choose. I'm going to have to think about this for a while.
Hopefully, I will have time to revisit some of this music with the Maggies in and the Coincidents out. I do really want to see if that fundamentally changes my take on these two machines. I'm betting not.
Tonight's music selection:
1) Shostakovich 10 Kitajenko/Gurzenich-Orchester Koln
I listened to the music from the beginning through about 5 minutes of the 3rd movement, first with the HAPZ1, then with the MW5400, then back to the HAPZ1 to confirm my initial impression. The music was thoroughly enjoyable through both machines. The HAPZ1 continued to exhibit its previously noted strengths. Fast attacks, articulate, detailed-- I also noted that the initial edge the MW 5400 had on dynamics has disappeared. If anything, it is now the HAPZ1 with superior dynamics. I also noted that the HAPZ1 was a little stronger (and faster) in the bass--keep in mind I'm talking 45-50Hz here (monitors). I will give this more attention when I rotate the Maggies in, but even so, we are only talking 37 Hz. The MW5400 continued to shine with respect to smooth silky, sweet strings. I also noted much more of that wonderful fruity woodwind sound from the 5400. It's the tube magic with respect to upper harmonics at work here, I suspect. This is important, because it really is so much of what draws many of us into the music. I do hope the ModWright HAPZ1 modification imparts this tube magic to the machine. Even so, I preferred the HAPZ1 by a razor thin margin.
2) Bach, Sonatas for violin and harpsichord #2. I chose this disk, because in contrast to so many harpsichord recordings, it does not sound like "Two skeletons copulating on a tin roof." The HAPZ1 brought a little more to the harpsichord, ironically, based on superior upper harmonics. Go figure. I might have preferred Ehnes' violin via the MW 5400, but again this was a tough call. Probably a toss up here overall.
So, based on what I have heard so far, if I had 2K to spend, and had my choice between a used MW 5400 and a new stock HAPZ1, which one would I choose? Sophie's choice! Don't make me choose. I'm going to have to think about this for a while.
Hopefully, I will have time to revisit some of this music with the Maggies in and the Coincidents out. I do really want to see if that fundamentally changes my take on these two machines. I'm betting not.