Micro Max 282 vs. Exclusive EA-10

Thuchan,
I have an EA-10 (on an Exclusive P10). I also have a Max237 (and would love to find the extra armwand to make it a 282 but the armwands are seriously expensive on the used market!). I would have said almost the same thing you did. The EA-10 and EA-3 arms (the one on the Exclusive P3) have an eery similarity to the Micro Max 237/282 arms.

I'd be interested in knowing your opinion upon listening.

I do not know the source of the arm, but I just now thought of someone who would know so will ask and revert.

T-Bone,
it seems to me the EA-10 tonearm is such rare as the wonderful Exclusive P10 TT is you are owning. Maybe because everything of the fantastic built technology this TT as well as the tonearm provides is covered by the plinth, so everyone was thinking this is just a standard Japanese direct drive table of the late 70ties, 80ties.

When Micro showed up with its big machines and the Max 237 (It was my first tonearm on the 8000, I sold it because the wiring was old copper 10 years ago and I went for newer designs- what a misleading error) this mark was buried in oblivion.

And to be honest - Pioneer was not an exclusive mark (of course it´s high end branch was - what a name game)to most audiophiles and is not in the high end analogue field anymore to my knowledge.

The EA-10 I am using on my Micro is rewired with Ikeda silver wire. It was not easy to find a bases for the Micro with such a big hole to carry the EA-10 massive block. The bases was built in Osaka in may this year.

Now this is my impresion with the Miyabi standard: Despite the silver is new and needs some time to be run in (I hear a little bright but rich sound) the overall picture is very stable, precise and with a deep soundstage. The EA-10 is one of my best old-design arms.

Thuchan, the EA-10 is anything but bright.

Sounds like the Silver wire you have transplanted has tilted the sound. Did the silver settle down?