Typical cutterhead angle is 1.5 deg. +/- depending on the lathe operator. I confirmed this with Stan Ricker, a well-known mastering engineer and lathe operator (Cardas Test Record.)
The precise angle of the cantilever to the record surface is irrelevant for playback. It can vary from zero deg. (for strain gauge cartridges) to 90 deg. (Decca cartridges) and everything in between.
However, ensuring that a line contact stylus' edges line up with the angled groove undulations is essential, no matter how it's attached to the cantilever, or what the VTA winds up being. Don't worry about those things.
It's nice to be able to adjust SRA on the fly to compensate for different record thicknesses and lathe operator preferences, but 1.4 degrees seems to be a good average if 'on the fly' is not possible (e.g. SME arms.)
If you set up your arm geometry carefully and adjust for close to the correct SRA (or exact SRA if your arm provides) that is at least 90% of the job.
It's then easy enough to check for correct azimuth with a test record, and for VTF by ear. Anti-skating force settings for line contact styli is about 25% that necessary for spherical or elliptical styli because of lower friction and groove drag.
If you'll follow this strategy, you can be confident you are getting the most out of your tonearm and cartridge.
The precise angle of the cantilever to the record surface is irrelevant for playback. It can vary from zero deg. (for strain gauge cartridges) to 90 deg. (Decca cartridges) and everything in between.
However, ensuring that a line contact stylus' edges line up with the angled groove undulations is essential, no matter how it's attached to the cantilever, or what the VTA winds up being. Don't worry about those things.
It's nice to be able to adjust SRA on the fly to compensate for different record thicknesses and lathe operator preferences, but 1.4 degrees seems to be a good average if 'on the fly' is not possible (e.g. SME arms.)
If you set up your arm geometry carefully and adjust for close to the correct SRA (or exact SRA if your arm provides) that is at least 90% of the job.
It's then easy enough to check for correct azimuth with a test record, and for VTF by ear. Anti-skating force settings for line contact styli is about 25% that necessary for spherical or elliptical styli because of lower friction and groove drag.
If you'll follow this strategy, you can be confident you are getting the most out of your tonearm and cartridge.