Nsgarch
I think we actually do not have a disagreement on the essentials. BUT if you have carts that like arm down (to keep it KISS) so the V's arm is just avoiding touching the record, I.E. down from level by 3-4mm. Yet another that likes it UP from level by a similar amount for the same record --- it is this what I'm talking about. What has changed is the angle between stylus' line-contact and cart mounting surface (at the optimal VTF) via the cantilever where it is mounted on.
Insisting on SRA is fine: IF I CAN ACTUALLY SEE IT!
Using that tool which produced the pic in the other thread OH YEAH, hurray!
So if I can't REALLY ascertain that 1.7 deg or what ever angle from vertical LP surface to the stylus' line contact -- then what is the good in riding on SRA? I have not the smallest issue with the theory, but in the end I need something more practical/useful I can work with, or?
Who wants to disagree with e.g. atomic weights, but I still get my sausage in pounds or ounces (in US I'd guess).
"Horses for courses" I make MORE mistakes setting SRA not really seeing what's going on, then simply listening --- so far at least my experience.
As nice as it might be to set the stylus contact-line to 1.7 deg. after I established that's what is needed for the record in the first place...
There are many such things in life, but for the practical current status a bit utopia I say.
You see already the MAJOR discrepancy in cutter angle statements! Roy Gandy has it at 0 - 7 deg. , your source knows or uses 1.7 deg. on you go.
In fact I think all of it has been used. So now you use this ASSUMPTION of how the record was cut to get completely immersed in setting SRA to the 1/10 of a degree. I'm sure it sound fine too, but because if it was 1 degree out it still sounded as fine.
Greetings,
I think we actually do not have a disagreement on the essentials. BUT if you have carts that like arm down (to keep it KISS) so the V's arm is just avoiding touching the record, I.E. down from level by 3-4mm. Yet another that likes it UP from level by a similar amount for the same record --- it is this what I'm talking about. What has changed is the angle between stylus' line-contact and cart mounting surface (at the optimal VTF) via the cantilever where it is mounted on.
Insisting on SRA is fine: IF I CAN ACTUALLY SEE IT!
Using that tool which produced the pic in the other thread OH YEAH, hurray!
So if I can't REALLY ascertain that 1.7 deg or what ever angle from vertical LP surface to the stylus' line contact -- then what is the good in riding on SRA? I have not the smallest issue with the theory, but in the end I need something more practical/useful I can work with, or?
Who wants to disagree with e.g. atomic weights, but I still get my sausage in pounds or ounces (in US I'd guess).
"Horses for courses" I make MORE mistakes setting SRA not really seeing what's going on, then simply listening --- so far at least my experience.
As nice as it might be to set the stylus contact-line to 1.7 deg. after I established that's what is needed for the record in the first place...
There are many such things in life, but for the practical current status a bit utopia I say.
You see already the MAJOR discrepancy in cutter angle statements! Roy Gandy has it at 0 - 7 deg. , your source knows or uses 1.7 deg. on you go.
In fact I think all of it has been used. So now you use this ASSUMPTION of how the record was cut to get completely immersed in setting SRA to the 1/10 of a degree. I'm sure it sound fine too, but because if it was 1 degree out it still sounded as fine.
Greetings,