Linn vs VPI?


I am planning to upgrade my current entry level Music Hall TT. I would like to get either a Linn LP 12 or some of the comparable VPI tables. Used not new.
It apperas to me that VPI is very highly regarded and people are very happy with VPI products. I also understand that Linn is on Stereophile recommended list of components for ever and essentially thes ame but greatly evolved product.

Any insight/first hand experience and tonearm/cartridge recommendadtion is more than welcome.
sancho22
As the MM comes with a felt mat, I just got the thinnest one. The one you would use for a Linn. I bet you will be really surprised at the improvement.
I have had both a Linn Axis, an LP12 and a highly modified VPI HW19 - I liked the VPI better in the long road with MC cartridges.
Syntax: I am curious which VPI's in what combination are you referring to that you feel beat a loaded LP12?
I've owned an LP12 for 25 years and it has been through a number of upgrades, most recently six years ago with Cirkus, Lingo, Ekos arm and Akiva cartridge. I like how it sounds, especially the Akiva's ability to quiet the level of surface noise. It's part of a larger home theater system and includes a Clearaudio Balance phono stage, Classé SSP-60 running in balanced bypass for the phono input, Classé CA-5200 amplifier and Revel Performa F-30's. Wires are MIT CVT Terminator running balanced from the Clearaudio into the SSP-60, Transparent Music Link balanced from the SSP-60 to the CA-5200, and Tributaries Bi-Wire from the CA-5200 to the Revels. I wouldn't call this system overly analytic, etched or otherwise in need of taming as Syntax suggests as a good task for an LP12. To my ears it gives a satisfying and musical experience, which I feel is about the most we can hope our systems will do for us. Nonetheless I'm curious what would happen if I mounted the Akiva on a VPI Classic and then plugged that into the system. I don't have the foggiest idea now, but it will be my next adventure to find out. Cheers to all!