Glanz moving magnet cartridges

or showedit in a wrong way!!!

R.

and of course that we/our self have the knowledge level to distinguish between mere distortions ( any kind ) and music, because sometime what we think is music in reality is only " nice " distortions.

R.

Oh well,

I tried!!

As always...

Dear Raul, the adding up 'theory' leeds to infinite regress.
What are we supposed to do with 'distortions' that we
are not able to hear? Whatever componets we own
the unknown one may have 'less distortion'. How are we
supposed to get the right unknown component of any kind?
My friend Henry just spend a huge amount of money for the
'right cables' and then hear from you that he likes some
peculiar kinds of distortions ,probale caused by the wrong
tonearm geometry. Ie Stivenson. And then to think that
by drilling a hole which is only 1,5 mm larger he could
adjust his both FR tonearms also for Bearwald.

Regards,

Dear Nikola,
I agree with you about the FR-64s.....but I also think the FR-66s is even more beautiful?
And such authority it has.
In fact.....I have been contemplating selling my DaVinci arm and replacing it with an arm that accepts interchangeable headshells...like the DV-507MkIII?
But then I thought......there is no other arm (other than the Copperhead) which is as good with MMs AND LOMCs as the FR-66s.....so why take a risk? Why not just buy another FR-66s?
And in terms of investment strategy.......it's like money in the bank?

Regards
Henry