I'm in favor of the outboard phono as well. If you enjoy the analog experience, you will find in some cases phono stages get swapped often, almost as much as cartridges. Everything needs to work together (table, cart, & stage) and then match your components downstream. With a few exceptions, this usually doesn't happen on the first try. Everyone hears things differently. If you choose a SS stage you can save some $ there, go used. They generally never have problems. You have nice gear behind it and it should be fun. I have always been fond of those 103.2's. Let members know your budget and you'll get plenty of advise.
Coaching wanted on how to get back into vinyl
I could really use some advice on how best to get back into vinyl at the vinyl 101 stage. I have a Bryston BP20 preamp which does not have any phono inputs and I am now kicking myself for not choosing the BP which had the phono stage option. Do I sell this preamp and start over with the other one? Is there an alternative while keeping my present preamp? I run twin Bryston 3B NRB power amps and a set of KEF 103.2 which I like very much. I will also need a turntable which I will focus on later but would like that issue considered while makng these decisions ie MM or MC. This might sound basic to many of you, but we all start somewhere! I don't have to stick with Bryston but would prefer it. Any input is appreciated.
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- 10 posts total
- 10 posts total