Ortofon MC A90 cartridge


I have had this cartridge for just over a month now and WOW.

The A90 IMO is as pure a cartridge that I have ever heard.

If you like your system you will absolutely luv this cartridge.

Thanks Mike L for giving me the tip - revealing and musical- absolutely. ruthless - never

Anyone else got one?

cheers
downunder
Dear Downunder: I don't own the A-90 but I already heard it in my system, here is what I posted that time:

http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1200430667&openflup&1026&4#1026

Ortofon was in this cartridge market for so many years, I always admire their skills/knowledge about. Why their top LOMC cartridges were not " inside " the high-end community day by day " mouth "? is something that I can't explain due to Ortofon great cartridges quality performance.

I'm glad that with the A-90 things are improving in this regard as improving is their cartridge top performance.
The A-90 motor/stylus is similar of that of the Windfeld and the 7500 model but that A-90 new cartridge body makes a difference for the better making " dust " several top today LOMC cartridges, of course that each cartridge performance is system dependent and owner dependent but with the A-90 I think that any one that can hear it will concur on its very high quality performance.
No I don't go/run to buy it but I like it.

regards and enjoy the music,
Raul.
Raul,
I just read your post in the above link.Very Interesting and Informative.Thank you for taking the time and giving us insight to your experiences with cartridges.
I for one appreciate your efforts
Thank you
Chris,

last night i did install the used Ortofon Jubilee on the Technics/Reed and this morning jtinn (who is visiting me this weekend) and i dialed it in. i'd say that it's set-up level is 'fairly close', but not spot on perfect.

there is a significant chasm in many ways between the refinement of the Jubilee compared to the A90 or the Olympos. those two thoroughbreds leave the Jubilee in the dust in the ability to see into the recording and levels of realism and nuance. i'm not being negative on the Jubilee, as it is a very 'nice' cartridge to listen to, better behaved and with more balance overall than some other (un-named) cartridges in that 'around $2k' price range (the Jubilee is no longer made i understand). of course, everyone has their own perspective on the merits of 'well-behaved' and 'nice'....and even 'balanced'.

OTOH the Technics/Reed allow the Jubilee to likely have more overall energy and particularly more bass slam. the Reed really has a 'jump' factor, and the Jubilee sings and boggies on the Reed. we played 'Hey Nineteen' from 'Gaucho', a half speed MCA pressing. this had been a reference Lp earlier in the decade in jtinn's and my sessions. in many ways we preferred the Reed/Jubilee's take on the cut. those big fat bass whacks really hit us in the chest. the detail was lacking but in this case the tt/arm delivered the goods.

the Reed is the real deal....and i can't wait to be able to compare the Technics/Reed to the Garrard/Triplaner head to head both with A90's next week.
I too recently purchased the Ortofon mc a90 cartridge and as much as I liked my shelter 501 mkII, this is much more live sounding.

The shelter was a wonderful cartridge for the money but this cartridge is so much more revealing.

These won't be around for long because its an anniversary edition so give it a listen ASAP
Mikel,

Just re-reading your comments on the SP10/Jubilee, specifically:
OTOH the Technics/Reed allow the Jubilee to likely have more overall energy and particularly more bass slam. the Reed really has a 'jump' factor....."
Are you saying the SP10/Reed/Jubilee beats the Garrard/Triplanar/A90 in energy and bass slam?
If so, the mind boggles at how much better the SP10/Reed/A90 will sound, since the A90 displays significantly better bass tautness/density/speed and is far more lively than the Jubilee (at least in my TNT/Phantom II setup).