Ortofon A90 review.... wrong choice of gear


Hi all

Just had a QUICK read of the new Feb issue of HiFi World which was sent to me by a good friend. Why I ask myself?
I was interested in what they thought about the new Ortofon A90 MC. I own one like many other folk. It's a great cartridge and without being totally biased probably the best I have heard but then it is expensive. I also own a PW Windfeld which is the next model down and fortunately the reviewer compared the 2 cartridges... should make for a great and riveting read.

I read through the review and saw that he did not feel the differences between the 2 cartridges we large. I was really surprised because in my system the differences are MASSIVE! I continued to read on..... then he says that if you are using an Icon Audio phonostage it's not bad but it sounds better with a Graham Slee.

Question.

Who on earth would spend $4000 on a cartridge and use a basic $900 phono stage? Most of the folks I know that own cartridges above $2000 use phono stages that can get the most of their cartridge. It's no wonder the reviewer could not tell the difference between the 2 cartridges. If he had used a better phono stage and system he would have had half a chance of actually hearing the qualities of the cartridges. A hifi dealer would have told the guy... ' I wouldn't recommend you use a $4000 with such mediocre gear'....

Anyways, that is the state of play in this magazine, I can't imagine the manufacturer and distributor were that happy about it.
robm1
Yes and no. I agree with what you're saying because arm/bearing resonances can kill a cartridge's dynamics, etc. OTOH, designing a RIAA curve is no easy task either and low noise/high gain phono sections good enough to use with a low output A90 don't grow on trees either.
If he had used a better phono stage and system
I would add: "And had loaded the cartridges correctly".
I happen to agree about the phono, BTW. Not disputing the many qualities of the stage used -- but so many phonos seem to hover between mediocrity and boredom...
I only mentioned the phono stage because the reviewer pointed out the A90 sounded 'warmer' through the Slee.

Myles...

All I am saying is that to hear how good the A90 is, is it not worth putting it with the 'type' of equipment it will be used with? I don't know about you but I heard that the Cambridge audio 640p was a good phono stage...I heard one in my system and it sounded CRAP! Compared to what I was using at the time, the Cambridge sounded.... well crap!
Some folks think the 640p is as good as if not better than the Slee units. I have found that after the TT/ Arm/cartridge combination the phono stage is a definite next big stage. I like many here have found that they can either 'hide' the cartridges capabilities or bring them out.
Things like RIAA accuracy which the mags 'bang on about' is irrelevent, because most stages are pretty much the same when it comes to RIAA specs. Like any amplifier, it's how the cartridge signal is 'processed' that makes the difference.

I think it was wrong to play the A90 though a cheap phono stage and 'hope' to really hear what it is like. The Slee like many other cheap units don't image that well, have a very limited sound stage and don't sound as 'real' as the higher-end products. So, playing an A90 through that will give you the wrong idea.