Wisnon,
I have heard the Lampizator 4 several times (without DSD option) and it is a great DAC, no doubt. I did not think it represented enough of an upgrade to justify switching from my current "musical" DAC. As I said, I find the differences between the better high end DACs to be subtle. That is not meant to be a slight...just an explanation of what I hear.
As to DSD, I fault no one for choosing or wanting it. *I* want it to take off but the fact is that very few titles I listen to are available in DSD and, based upon the very "iffy" hi-res material you can pay top dollar for on HDTracks, I remain skeptical that this format will change what I've already experienced with the hi- res bandwagon. Ninety-five percent of what l choose to listen to is 16/44 and only four or five hi -res recordings seriously beat the best Redbook I own. I find the vast majority of "audiophile only" recordings to be boring and/or creatively lacking. A friend of mine and I recently downloaded a half dozen rock recordings from HDtracks and compared them to the Redbook versions we owned. None of the "hi-res" versions were better. For example, the best one of the crop, Paul McCartney's Ram, is easily bested by Steve Hoffmann's gold Redbook disc remaster of the same sessions. Just because something has 24/96 or DSD label doesn't mean it's worth a purchase. So, when someone can offer truly better versions of even half of the music I already own, I'll get a ticket for the show.
I have heard the Lampizator 4 several times (without DSD option) and it is a great DAC, no doubt. I did not think it represented enough of an upgrade to justify switching from my current "musical" DAC. As I said, I find the differences between the better high end DACs to be subtle. That is not meant to be a slight...just an explanation of what I hear.
As to DSD, I fault no one for choosing or wanting it. *I* want it to take off but the fact is that very few titles I listen to are available in DSD and, based upon the very "iffy" hi-res material you can pay top dollar for on HDTracks, I remain skeptical that this format will change what I've already experienced with the hi- res bandwagon. Ninety-five percent of what l choose to listen to is 16/44 and only four or five hi -res recordings seriously beat the best Redbook I own. I find the vast majority of "audiophile only" recordings to be boring and/or creatively lacking. A friend of mine and I recently downloaded a half dozen rock recordings from HDtracks and compared them to the Redbook versions we owned. None of the "hi-res" versions were better. For example, the best one of the crop, Paul McCartney's Ram, is easily bested by Steve Hoffmann's gold Redbook disc remaster of the same sessions. Just because something has 24/96 or DSD label doesn't mean it's worth a purchase. So, when someone can offer truly better versions of even half of the music I already own, I'll get a ticket for the show.