Oh yes, I forgot that old canard about hearing the servo at work. I guess some can hear something they don't like from certain direct drive turntables and choose to ascribe it to the servo. None of these devices is perfect. Then too, the early dd efforts might have been faulty in some cases even though working perfectly but due to design flaws. Certainly that might have been said of products lacking a quartz servo feedback mechanism. So I was naive to have inferred that dd tables as a class have flawless speed stability. Sorry for that exaggeration. I myself am not crazy about some of the dd tables that are much loved, like the low end Technics.
I just love my L07D once I installed an EMI/RFI shield under the stainless steel platter mat. Otherwise it had a slightly dulled sound that one might have said was related to servo. The L07D actually has a very novel and modern approach to the use of the servo, relying to a great degree on platter inertia, a la Dertonearm, altho the platter's mass would not suit him. The coreless motor is a big plus for the L07D, IMO. I am just this week finally listening to my SP10 Mk3 in a massive slate and cherry/baltic birch plinth. It gives a very free and open musical sound once resonance is markedly reduced by the plinth plus a mass added to the bearing housing, a la Albert Porter's plinths. Best of all, no fiddling with drive belts.
I just love my L07D once I installed an EMI/RFI shield under the stainless steel platter mat. Otherwise it had a slightly dulled sound that one might have said was related to servo. The L07D actually has a very novel and modern approach to the use of the servo, relying to a great degree on platter inertia, a la Dertonearm, altho the platter's mass would not suit him. The coreless motor is a big plus for the L07D, IMO. I am just this week finally listening to my SP10 Mk3 in a massive slate and cherry/baltic birch plinth. It gives a very free and open musical sound once resonance is markedly reduced by the plinth plus a mass added to the bearing housing, a la Albert Porter's plinths. Best of all, no fiddling with drive belts.