I am a lyra fan and love the titan i for its intensity and lightening transient: not only for the attack but also for how fast it can release the notes. Before optimizing the Kleos, I initially thought the designer went for a warmer, slower sound in the Kleos because the titan was criticized for a lean tonal balance or aggressive treble.
After optimizing the setup, the Kleos is also very fast and actually illuminated some details that I did not hear with the titan. It has a very natural transient that makes me I wondered whether the titan release the notes too fast. I am still not sure which one is more correct but I enjoy both tremendously. The titan is still more resolute in the low bass and macrodynamics and portray the scale of the large orchestra more convincingly. The Kleos excels in chamber music with its beguiling presentation and microdynamics. Both are able to portray a strong sense of recording space.
I have sold my Koetsu & more since I have acquired the Kleos.
I have installed the Kleos on a variety of arms including two unipivot arms without issues: Phantom 2, centroid. Also tried it on gimbal bearing: FR 64 & dyna 507. This cart is not as picky on arms as the titan.
IMHO, the Kleos need proper antiskate setting to showcase its ability ( sure, which cart doesn't). I have tried the minimal to no antiskate and this crippled the Kleos more than any other cartridge I have used. The overtly warm and slow sound in my initial setting may resulted from distortions from unopposed skating force.
A great performer in its own right but amazing considering its price.
After optimizing the setup, the Kleos is also very fast and actually illuminated some details that I did not hear with the titan. It has a very natural transient that makes me I wondered whether the titan release the notes too fast. I am still not sure which one is more correct but I enjoy both tremendously. The titan is still more resolute in the low bass and macrodynamics and portray the scale of the large orchestra more convincingly. The Kleos excels in chamber music with its beguiling presentation and microdynamics. Both are able to portray a strong sense of recording space.
I have sold my Koetsu & more since I have acquired the Kleos.
I have installed the Kleos on a variety of arms including two unipivot arms without issues: Phantom 2, centroid. Also tried it on gimbal bearing: FR 64 & dyna 507. This cart is not as picky on arms as the titan.
IMHO, the Kleos need proper antiskate setting to showcase its ability ( sure, which cart doesn't). I have tried the minimal to no antiskate and this crippled the Kleos more than any other cartridge I have used. The overtly warm and slow sound in my initial setting may resulted from distortions from unopposed skating force.
A great performer in its own right but amazing considering its price.