The edge you are hearing is a result of your power amps. I have owned KMA 160s, but before the KMAs I had a KSA 80B. Sonically speaking the KSA 80B was much better than the KMA 160s. If you remember that the KMA 160s were this amp that could programed from a KSA 80 to a single KMA 160 mono block. It was bit more involved than programming. You had to send the amp back and the factory would re-configure the inside of the amp and put on a new rear apron. What Krell did was bridge the amp. I simply sold the my 80B and bought a set of KMA 160 monos and they had lots of edge and were very hard sounding. At that point I sent them back to Krell and had them set up a KSA 80Bs and bought an electronic crossover and re-configured the system. The Krell 80B was a delight but the KMA 160s were simply a nightmare. Sell those amps and find your self a set of Threshold Mono blocks same money much better sound. PS I have owned many Audio Research pre-amps tube and solid state and they all have been first class in their sound. Smooth, rich, transparent, and powerful.
Tubed Linestage
I may be upgrading from a ARC PH-3SE to an ARC PH-7. My sound has a bit of an edge to it, which the upgrade may fix. I was wondering about going to a tubed linstage and bypassing my current linestage solid state preamp. I currently have the ARC 3 going into a Theta CB3, then into 2 Krell KMA-160's with a couple of MAXX II's at the end. I read where it was suggested that ARC equipment doesn't mate well with Krell. Any comments or suggestions? I'm looking for a warm, yet clear sound. Oh-I'm using a Clearadio Emotion with a Maestro cart on the front.
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- 10 posts total
- 10 posts total