Fleib,
I don't think the record/platter interface is understood as you claim and that's where we differ...
If it were....there would not be the plethora of platter materials, shapes and weights nor the cornucopia of platter mats (materials, thicknesses etc).
I don't believe there are even two turntable manufactures with identical platter/mat combinations...?
And if...as you declare....
Some people even think that NO mat is better....and on some platters I have found this to be true...
And then, as Lewm points out....some even think that the less contact the record has with a platter...the better๐
If you believe that all these opinions reflect an "understanding" of the record/platter interface....I simply beg to differ...๐
I don't think the record/platter interface is understood as you claim and that's where we differ...
If it were....there would not be the plethora of platter materials, shapes and weights nor the cornucopia of platter mats (materials, thicknesses etc).
I don't believe there are even two turntable manufactures with identical platter/mat combinations...?
And if...as you declare....
The purpose of a mat is to provide a stable surface with a similar impedance of the record,then the majority of turntable and mat manufacturers fail in this endeavour..๐ฑ
Some think the best mats are forms of acrylic, methacrylate (Delrin), carbon, or vinyl.And some people DON'T think that....
Some people even think that NO mat is better....and on some platters I have found this to be true...
And then, as Lewm points out....some even think that the less contact the record has with a platter...the better๐
If you believe that all these opinions reflect an "understanding" of the record/platter interface....I simply beg to differ...๐