"TT Weights 454 record weight" What does this mean?
How much does your SL weigh?
How much does your SL weigh?
TECHNICS SL1200 MKII.......THE REAL FACTS
I suspect it means the turntable weight weighs 454 grams, which is the metric equivalent of one pound. See TT Weights' website. |
Hey Ralph, (Atmasphere), I was surprised to see your statement, "they are built for the expedience of semi-pro DJ work, which is the market to which the product is aimed." I would expect something different with your product knowledge. The SL-1200 was introduced in 1975 as a consumer product. In the 1980s as CDs impacted development and sales of all turntables, it was the discovery and adoption by dance club/party DJs that created demand which kept the 1200 series in production. Unfortunately I think the common current false perception of the Technics 1200 models as "DJ tables" gets in the way of many audiophiles admitting to any credibility for their performance. I do agree with Audiofeil and others who identify the 1200 series as good performers and a great value, but not necessarily the best tables available. And I must offer credit of another sort. About four years ago I started reading reports on the performance of the 1200 series and how that could be improved even more with a few basic mods. That led me back to consideration of a DD table and after further research, finding a decent Technics SP-10 Mk2. Thus my appreciation for the Technics 1200 tables was to open my mind to a DD after decades of belt drive brain-washing. ;-) |
Its hard to discern that the original table is one of the best when so many custom tweaks are needed to deliver the bomb in performance. Whenever a device is modded and a performance difference results, its now a different beast. PErhaps these old DD tables are just good fodder for mods in that they are old and relatively inexpensive these days in their stock form. If I were brave enough, I could probably come up with custom tweaks to many modern SOTA tables to make them better, or at least meet my expectations better also, however I would have to be quite brave or rich to do that given the economics involved with these things. I am not so brave in general. Any tweak I do is generally easily reversible if needed. THings like aligning or changing/better matching carts, adjusting settings, etc. These are my kind of (easy) tweaks that usually pays dividends. |
It depends on how you look at it. When they were still in production, you could get an SL12x0 TT for $400-500, a high precision transport with nearly unmeasurable wow and flutter, dead-on speed accuracy, and a S/N ratio you rarely see in "audiophile approved" turntables under $5K. Given such a low entry level and its naive lack of other vibration and resonance control features, it practically begs to be modded to bring out its best. Get an armboard from Origin Live or Sound Hi-Fi and swap in a Rega RB303, JA Michell, Jelco or SME tonearm and you'll have an astounding turntable for under $2K, possibly under $1K. I'd love to do the tonearm upgrade, but in the meantime, my tweaks cost me a grand total of $250 (fluid damper, Sumiko headshell, sorbothane mat, Vibrapod feet), plus a butcher block as an isolation platform. That $750 got me a turntable with speed accuracy you can't buy (new) otherwise. The customary price/performance ratio of turntables would be far different today if the British TT industry had embraced the Japan-sourced DD mechanism and built their turntables around it rather than foisting over-the-counter AC synchronous motors and rubber bands as a "superior" drive system. |