MC versus MM. Which to choose.



I am pretty much a vinyl newbie so bear with me. What are the benefits and drawbacks of both of these types of cartridges. Is there a clear better choice for someone just getting into vinyl? The MM seem to be less costly but how does it compare sonically? Take for instance the Clearaudio Concept cartridge. The MM retails for $200 while the MC retails for $800. Is the MC version a better sounding cartridge?
128x128lostbears
I think Lostbear would like to know why some think MC is better than MM. If you would please back up your statements with your experience.

Lostbear, I have a few good MM/MI cartridges which I enjoy very much. Some are very detailed and some more musical. Most were purchased under $200 except the Soundsmith( which you should consider). I have not used any MCs due to the cost factor and phono being MM only but I will in the future when I upgrade my preamp. I would listen to both as your budget allows.

Good luck in your search for the Grail and Merry Christmas!
Dear Rockitman: IMHO that depend not only on the audio system resolution and facilities as what are your music/sound priorities what are you looking for.

I never left behind the LOMC alternative when I took the MM/MI one. Why? because there is no reason serious reason to left any of these alternatives when you knew both.
As I always name it are just alternatives.

What are my experiences on the whole subject ( LOMC vs MM/MI that never was my " attitude " and certainly not the main subject other that to know the MM/MI alternative along what I had: LOMC cartridges. ) is that the best MM/MI ( almost all vintage ones. ) with the right set-up can compete with the top LOMC ones bis a bis and if you push me a little even beat some LOMCs. There are a few MM/MI cartridges that competes easy with the A90 and other LOMC of this caliber.

Now, my main music/sound reproduction targets are accuracy, neutrality and even tonal balance. I can achieve those targets more easily with MM/MI cartridges, but that's me.

Even that my today cartridge reference is not a MM/MI one but a LOMC cartridge.

Cartridge tracking abilities is IMHO the lost-link on cartridge quality level performance.

We need, as I posted several times in different threads, that the cartridge's stylus stay always in the groove ( terrible road, btw. ). This cartridge tracking abilities in my experiences depend mainly on the cartridge whole design and not in what tonearm is mounted.
The cartridge behavior on that subject depend IMHO and experiences on it self.

Every thing the same between two or more cartridges the one with better tracking ability will perform way better not only better because one of the benefits of that tracking cartridge ability is that distortions goes really down.

We have to think on the cartridge tracking ability taking in count that the LP what's in the recording through the grooves came with distortions of different kind between them distortions caused by imperfect work by the LP cutter head in the vinyl.
IMHO the main target in any cartridge is not to increment the self LP distortions, that's why is so important that cartridge ability along other cartridge desired characteristics.

LOMC cartridges normally are not very good trackers but the few that are makes the difference for the better: lowering distortions.

The A90 is one of them.

Btw, buy a Clearaudio Virtuoso Wood and give a try for 2-3 weeks. Could compete with your A-90?, this depends on the cartridge whole set up: " mechanical " and electrical.

Regards and enjoy the music,
R.
Dear Nikola, In the late 70s I was still in medical training but had already been an audiophile for a few years. I owned Magneplanar Tympani spkrs with Transmission Line woofers that I built myself. Some guy brought over a Supex and a Mark Levinson JC1 step-up (designed by John Curl) needed to run the Supex on my system. I really was not impressed at all, and I remember wondering what the fuss was all about. The sonics were "different" from what I was used to, but not necessarily better. I think several more years went by before I finally succumbed to MC cartridges. At this point, I am squarely in tune with Raul's post above. Both types can have merits, but dollar for dollar (or Euro for Euro), MC cannot compete with MM/MI. On a cost-no-object basis, then it is up to the listener to decide.
Dear Rockitman: That benefits of superior cartridge tracking abilities that means lower distortions means at the same time more music recorded information that with cartridges that are " jumping "/out of the groove walls at microscopic levels.

So, two advantajes: more precise and clear recorded music information with lower distortions!!!

Well, you can flame the MM/MI if you want.

Regrads and enjoy the music,
R.
Dear Lew, I see that you was as 'self-willed' in the late
70s as you are at present. I myself was then a 'strong
believer' in the truth as presented by the HIFI Magazines. So I had just one subscription for the daily (news)paper but 4 HIFI Magazines. I have no exact recollection when the first TAS come out but for a long time it was my Bible and H. Pearson my pope. In any HIFI discussion I needed to use just one single argument:' according to Pearson...' The only problem was that I was not able to buy new gear each twoo months. However I was very fast with replacement of my ADC 25 for a Supex. My oldest son
got the ADC but refuses to give it back...

Regards,