I have a Benz LP-S MC stereo cartridge on a Graham Phantom Supreme. My second tonearm is a Schick 12" tonearm with a Miyajima Premium Mono BE cartridge (special low output version). I run it it through Bob's Devices Cinemag 1131. Use both old 1950s mono albums as well as new reissued mono vinyl. I love the Miyajima. Big, bold, meaty sound, with extension and transparency (not dark sounding at all). I love both my cartridges...both excel. The LP-S is incredible, especially for capturing everything and put it out there in a 3d organic manner. But, the Miyajima, while not as spacious as the Benz, excels in drive and sheer heft of musical impact. I'm glad I have both. If looking for mono, the Miyajima Premium Mono BE coupled with Cinemag 1131 is the bomb. And Robin Wyatt the distributor is A+++++++ in my book -- I speak from experience. He has gone above and beyond to make sure I'm taken care of both on cartridge and SUT. He is white glove treatment all the way. Order direct from him and you won't be disappointed.
Which Mono Cartridge at around $1,300.00?
I'm in the process of upgrading my well cared for Thorens TD145. I started by soldering in WireWorld phono cable along with getting a basic tune up. I want to replace my Grado ME+ mono cartridge with a substantially better mono cartridge. Currently, the tone arm is stock. My records are classical (orchestral, chamber, vocal, etc...) dating from the 1940's and 1950's so I've been cogitating on the Ortofon SPU Mono GM MKII or a low output Grado (i.e. the sonata reference 1). My phono stage is the ASR Mini Basis Exclusive. All or any suggestions would be greatly appreciated.
Thanks!
Thanks!
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- 47 posts total
- 47 posts total