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Soundsmith Straingauge SG-200 cartridge system

Hi everyone, haven't heard much discussion of this one in a while. I'm just starting to run a direct rim drive Trans Fi Salvation tt sporting a Trans Fi Terminator air bearing linear tracking arm. It's a total game changer imho, but I fear the Zu modded Denon 103 cart on it, excellent as it is, may have performance bettered by something more SOTA. I'm looking for something to match the tt/arm's neutrality, solidity and eveness, and am drawn to the Straingauge. Reviews praise it's speed and naturalness, but some comments are more guarded commenting on tonal thinness, edginess and overanalytic quality.
If it helps I hate over sharp carts like Lyra Skala, are more comfortable with neutral carts like the Transfiguration Orpheus, and feel the humble Zu 103 is a giant killer in the rhythmn/timing/involvment stakes.
So comments please from those who have experience of the Straingauge, thank you.
spiritofmusic
lewm
13,268 posts
 
The Astatic vs the Strain Gauge. One costs a few hundred bucks, and the other will cost several thousand bucks. So there's that to think about. If you are disappointed in the Astatic, you would lose maybe $100 on the re-sale; maybe less.
spiritofmusic OP
828 posts
 
Vintage carts? I'm not sure. But I'll keep things in mind, thanks for the suggestion. Very tempted by neutral, dynamic sound that Straingauge promises which should augment my neutral, dynamic tt/arm combo I'm so impressed with at the monent.
Can one have 'too much' neutrality ie is it better to 'sugar the pill' with a more romantic cart?
Eg I know a fair few Grand Prix Monaco dd tt owners have offset the neutrality of the deck with the sweeter sounding Triplanar tonearm.
dougdeacon
3,338 posts
 
If you've enjoyed the harmonic depth, complexity and subtlety of cartridges like the Transfiguration Orpheus, you'll find the Strain Gauge a very different experience. I second Stringreen's advice, listen to one before committing.
lewm
13,268 posts
 
Spirit,
I should not have been so specific in naming one single vintage MM or MI cartridge that would knock your socks off, if properly implemented. Others include but are not limited to: Grace Ruby, Stanton 980LZS (and other extinct Stanton models), Acutex 320 and M320, Technics EPC 100C MkIV (perhaps the king of them all). And there are many more that I have not personally heard. In any case, it seems to me that you want to buy the SG200 cartridge, and you are looking here for justification. Like Doug says, go for it, but have a listen first if at all possible. Trust but verify.

BTW, I never thought of my Triplanar as "sweet sounding". I do think of it as rather neutral sounding. But in contrast to a GP Monaco, perhaps it is sweet; I wouldn't know.
spiritofmusic OP
828 posts
 
Gentleman, I'm considering many options, and assure everyone I will NOT buy without audition first. I'm just not psychologically tuned into buying vintage carts.
Re my Transfiguration Orpheus, I've always loved this cart but have subsequently switched to the Zu 103 at 25% of it's price and don't miss it.
I'm just intrigued with the concept of a very neutral cart on a very neutral tt/arm.
Doug, I get the impression you don't think the Straingauge will be as 'fleshed out' as the Orpheus, and yet Arran states it isn't tonally thin in any way.
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