Why do my rolling stones albums sound bad?


When I first got into vinyl a few years ago, I purchased a few stones albums. I thought they sounded good at the time but now that I have collected quite a few more records the stones albums sound bad in comparison. A few that stand out to me are the sticky fingers re-issue by mobile fidelity and let it bleed by abkco circa 2003.I am really disappointed with both of those.
The MoFi pressing sounds like the vocals are in the background and it sounds overall muddy. This surprised me because of all the MoFi pressing I own of various artist, this stones album is the only one I was not satisfied with. Really sub par compared to the rest of their work I have. I don't own the original so I can't compare the two. I would hope the original sounds much better.
The abkco pressing is a DSD. I didn't know this at the time of purchase or I might have avoided it. I do own a few other DSD pressings of other artist and they sound pretty good. Let it bleed from abkco (2003) sounds like mick is singing underwater. The instruments sound really flat in this one as well.
I also own hot rocks from abkco (2003) which is also a DSD. It sounds a bit better than the let it bleed album but still nothing to be impressed with.
I thought the MoFi pressing would sound better because it is mastered from the original tapes and done AAA. In my opinion it has the worst sound quality of the pressings mentioned here.
I would love to have some stones albums that sound great but, I have been reluctant to purchase any more of them for fear of getting the same sound quality of the other pressings. Are there stones albums out there that sound really good? I want something I can be impressed with. What would you guys and gals suggest. What stones albums do I need to be on the lookout for. Thanks in advance.

Andy
andyprice44
in his autobiography, keef states that at least early on the stones were going for the chicago chess records sound--big, dense, thick--as opposed, i suppose, to the more nuanced recordings of their peers. that said, i don't think the stones were especially well served by their producers--exile is a notoriously murky record, and their original producer, andrew loog oldhman, was more of an impressario than a musician. i do think their classic late 60s stuff (sticky fingers, beggars banquet, let it bleed), which i think we're done by jimmy miller and glyn johns, sound really good.
Most of their 70's + later studio recordings I have heard (I've heard most but not all) are decent to quite good I would say. Exile is a unique case, more like those early Chess Records like recordings, which BTW have a unique sonic charm of their own when done right, like many blues recordings of that era.
One doesnt listen to the Stones to fulfill you audiophile desires...that being said...Tatoo/Emo rescue...which I believe were recorded partly at Compass Studios sound pretty good...not classic era...but solid nevertheless...there are moments from Exile that actually sound better than its reputation would indicate...but by and large...it is a deliberately muddy sounding affair...I have a an early, very clean copy that is the best sounding version I have owned...and there have been several...I also like Sticky Fingers...I have an 80s reissue that sounds amazing....go figure....
I love the Stones music. The truth is they have not been well recorded over the years, but there are some good pressings.

I've always liked the sound of Exile (great album too). I bought the big box set reissue and it's not good. Very dry, it just doesn't work. The best pressing I found was an original US pressing (although the Australian pressing is surprisingly close).

Sticky Fingers was a hard nut to crack. I have an Australian pressing, it isn't good, quite muddy. The MFSL pressing I also have just sounds anemic and from memory lacks bass. However, I got a 70s Japanese pressing which is good, it rocks and also has detail without either muddiness or anemia.

For their early records I tend to go for the mono pressings, they are fine. Not the best recorded albums out there but they sound good.

My advice is to avoid the digital re-issues and go for early mono pressings and Japanese pressings. I also have a Japanese pressing of Let it Bleed which is my best copy.

DS