Just how good is the Technics SL-1200?

Do the fans of the SL1200 believe that it is better than any of the high end direct drive tables of the late 70s, early 80s, when the japanese actually cared about turntables. I have a Sony PS-x65 and PS-x60 as well as a Yamaha PX-3 and technics SL1200, and I think the Sonys are easily better built and sound better than the technics. I am not impressed with the Yamaha, but many love them.
That said, my main listening right now is through an Oracle Delphi V SE. None of the above tables comes close.

I doubt if you'll find any 1200 fan who thinks it will run with an SP-10, SP-15, or Kenwood L07D etc, etc. The 1200 is an SP-25 factory set up for DJ/disco. It has great immunity to feedback, pitch stability, adjust-ability, and VTA on the fly. It does not have a 10 or 30lb platter for depth and authority, but it also doesn't have the often associated ponderous presentation, speed issues, and lack of PRAT. If the 1200 plinth is overdamped, and the arm wire questionable, it may compliment the sound of some carts/systems and/or be modified.

I've seen pics of 1200s with SME V, Syrinx and other high end arms. Ridiculous? I'm sure their owners don't think so. Before being discontinued the 1200/1210 went for $500 to $700? Can a similarly priced belt driver keep time like a 1200? Not even with an additional speed box. How much does an Oracle Delphi Mk V cost?

One advantage of the 1200, it's possible to get one of recent manufacture. All the rest is belt vs direct and YMMV. There is no Rega in this price range that can compete with what the 1200 does right. People have different listening priorities. To each his own. Spend lots of money and those advantages start to disappear.
Regards,

Learsfool, I respect your thoughts, even though our opinions differ. I actually had to overcome my prejudice against the 1200 because I think it's butt-ugly! I don't care much about its purported indestructibility, but it's nice to know that it will last a while, seeing that it's out of production.

I, too, listen to a lot of live classical music, and I'm encouraged to hear that you apparently are very happy with your Rega-on-Rega setup (P5 and Exact 2). I've always wanted to try a similar approach, but I've never been sure how the Exact would perform with unamplified acoustic instruments. So if I ever get a few extra bucks, I'd love to give that kind of setup a try. All the best.
-Bob

Hi Bob - the Rega was the best of all the things I tried in my budget, which is certainly limited. Not saying it is a be-all end-all thing by any means. What I would really like to try sometime is an old Thorens 124. Every one of those I have ever heard sounds fantastic. Will probably be a few years more before I can afford to mess around with new stuff, though. I'll probably have to replace my cartridge on the Rega before that.

12-28-12: Hesson11
I, too, listen to a lot of live classical music, and I'm encouraged to hear that you apparently are very happy with your Rega-on-Rega setup (P5 and Exact 2). I've always wanted to try a similar approach, but I've never been sure how the Exact would perform with unamplified acoustic instruments. So if I ever get a few extra bucks, I'd love to give that kind of setup a try. All the best.

I've heard A Rega P7 with an Exact and it was excellent on acoustic instruments. The demo wasn't classical music, however; it was acoustic guitar, upright bass, and (I think) drums. It have a relaxed and musical sense about it and was timbre-correct to me.