Choosing between Reissue and Original pressings


Reissues have been common since quite some time but these days as vinyl has picked up momentum again, there have been some very high quality reissues from labels like Classic, Analogue Productions, Speakers corner, MFSL, Boxstar etc. For any particular album how do you decide whether buy a good reissue or get a good copy of original pressing from ebay ?

For the sake of discussion lets keep out exceptions where the original pressing is too hard to get or too expensive. In most cases it is possible to buy a copy of original pressing for sane amount of money if one shops carefully on ebay but I have also found that quite a few times a high quality reissue can sound better. Whats the general thought among hardcore vinyl followers here ?
pani
GMC, the problem with better records is that there are no guidelines other than his ear in picking out the good sounding copies. he trashes most of the well-known reissues which may be right, but after that, he provides zero info on particular release versions, stamper numbers or other indicia of what particular copies sound good. Aside from paying 499 or more for a garden variety mass produced major label issue. Hell, for 500 bucks I can buy quite a few copies and do the same thing. Time-saving, perhaps. And funny to read his comments. But not sure there's real, useable positive info there on what to buy, more negative on what not to buy (which, as I recall, is pretty close to everything except those selected by him).
Whart, I agree that there are no guidlines, anywhere. That is my point. I don't think there are any clear rules or guarantees other than our ears. I pay top dollar to get the copies of the records that are important to me. While I might try to do it myself, time and access to quality copies would make it very difficult. Each copy is going to sound different.
Original copies today can be a 'pot luck'. Even if the vinyl LOOKS good to the eye under good light it may not playback well. Groove damage by an improperly set up cartridge or a worn stylus is not able to be seen under even good light by the naked eye. Damage due to static discharges from all too many previous plays (a severe enough static pop will likely create micro craters in the vinyl groove) also cannot be seen. That said a good condition original esp. pre say 1985 will probably sound good.

New vinyl today as remastered copies can sound fabulous but too can be hit or miss depending on the quality of remastering and the quality of the new pressings. But all in all they should be payable and enjoyable. You do get guaranteed nice clean covers and inside liner sleeves as a bonus.

It's all pros and cons be it sourcing out older vinyl or buying new pressings.

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I have many first release and japanese pressings from the late seventies only played once straight to nak cassette back in the day

Most remasters don't hold a handle

In jazz blue note, riverside, prestige and impulse have been great

Classic records is hit or miss
I've bought quadrophenia twice and both were horrific - totally congested mess

The latest beatles remasters are as if you put a wet blanket over the proceedings. People swear by them, but probably haven't heard a uk original, german import, or the 1978 bluebox

It's hit or miss and worse no-fill and odd residues, fingerprints, in the old days it was just crackles from impure vinyl