$$$ vs music enjoyment


The January 2013 Stereophile e-mail newsletter featured an interesting reprint of a 1994 article titled "R.I.P. High-End Audio?" The reprint generated interesting discussion, and I found one post in particular raising an interesting point.

"The article suggests there is some public good to spreading the high-end. I'd like it first shown that someone is happier listening to music on $20 speakers than 'mid-end' $2k speakers. I mean empirical evidence - hook up blindfolded listens to brain scanners and measure their neurotransmitter levels. If there were a correlation between musical enjoyment and price beyond a certain point I'd have expected my musician and conductor friends to own better stereos than they do."

A few points raised there. Does a more expensive system (a nicely set up, moderate system vs. a significantly more expensive system) indeed elevate the level of musical enjoyment? It would be very interesting to compare owners of all-out assault systems with average audiophiles who can't wait to fire up their systems on a Friday night to get themselves immersed in music. I believe I myself would in fact enjoy the music more if able to afford a more expensive system, even though my modest system has given me extreme enjoyment. But who knows...

And then, yes, why does the audiophile community feature relatively so few musicians? I must say this argument is actually not very convincing to me. The underlying assumption is that any given trade professional would necessarily strive to replicate or pursue the same standards or level of performance in his private life, which I think is a fallacy. Does a fancy restaurant chef have to always eat gourmet food at his home to enjoy it? Does a fashion designer have to always wear designer clothes lest they show high fashion is a sham?

Comments welcome.
actusreus
"....you seem to understand that no system is perfect and don't have any unrealistic expectations to what it should or can do. That's what really allows you to enjoy it. "

Bingo!
Thanks for your observation, Zd542. You are right, I have no illusions about the
limitations of our audio systems. I do enjoy my evening listening sessions with
friends. My time spent listening to live orchestras has served as a reference
guide and has helped me to improve my system. It is a real joy.

I'd like to add to my post above about musicians in Vienna being audiophiles:
Nine (9) members of the orchestra of the Vienna State Opera own SME
turntables. They own the relatively less expensive Model 10, the moderately
priced Model 20 and the expensive Model 30. Regardless of the money spent,
I'm pretty sure they all get a lot of musical enjoyment out of their systems.
They collect records, listen to vinyl and obviously love playing and listening to
music. Interestingly, not one of them reports any pitch/speed issues with these
belt-drive turntables. And they all know what real music sounds like.
Pete, your comments corroborate what I was saying. Now, let's take the number of members of the Vienna State Opera that own high quality gear (not just SME tt's), and as a percentage of the total number of players in that orchestra, compare that percentage to that of music-listening members of the general population who also own high quality gear. The percentage of musician audiophiles will be infinitely higher. That musicinas don't know about quality stereo IS NOT TRUE.
True, but also a lot of musicians own mediocre Stereo Systems from Wal Mart ... music can be enjoyed with MP3 too
Many in this hobby would be surprised what a musician , A musician that many around the Globe would instantly recognize their name listens to at home and this includes many within his musician / singer circle of friends,For the most part the High End is a joke, that is how he feels.

Syntax hahha thats close, at least the MP3 keeps pitch intact , all that music you can carry around in your pocket anywhere you go, why not.