thanks guys for the insights
here is what happened and why I was questioning my options
Do I choose more volume (but less resolution in the zyx) or higher output stage?
How much less of a cartridge is the .48? thanks for your comments and experiences
I didn't know just how big of a difference the .24 and .48 would be musically and really appreciate your insight. I love the resolving power of the .24, can't give that up
the more volume part of the equation is that the Salk Soundscape 10s are 84db efficient and I have to have my Doshi in the top several clicks to get sufficient driving volume where you really separate out things. It wasn't a problem till I switched to the lower efficiency speakers. The Doshi is a step down attenuator so it isn't clipping being near the top end of it's range.
In addition woofer pumping takes a lot of wattage away from the music and makes a hard load to drive
The cartridge is on a triplaner arm - I was fighting woofer pumping for a while. With help from Richard Gray locally, Doug Deacon, Mehran and Thom Mackris of Galibier we were able to isolate this with a feather test. A feather should be able to lift a properly functioning arm. The arm bearing wasn't working and so the cantilever was doing all the up down motion and causing subsonic woofer pumping and damage to the suspension.
Tri totally reworked my arm and all was well the last year. The pumping has returned but the arm is tracking correctly vertically.
I believe the cartridge issue is one of two things
The suspension has finally given way from all the arm rigidity abuse or I was not properly using my magic eraser, just barely lightly rubbing slowly from back to front (Richard Gray freaked out). He showed my how to dip the cartridge in the eraser a few times instead.
Universe II - tis tempting - ouch on the price. I've read all your reviews on it Doug and I listen to a broad range of music from the period piece chamber ensembles we both love so well, symphonies, acoustic jazz, rock, folk, everything really. Especially acoustic instruments in space. I play upright bass and my son is in several symphonic groups
Tell me more about Andy Kim. Does he work on ZYX?
Maybe the cartridge can be salvaged.
Perhaps sending this back to Mehran is in the cards
here is what happened and why I was questioning my options
Do I choose more volume (but less resolution in the zyx) or higher output stage?
How much less of a cartridge is the .48? thanks for your comments and experiences
I didn't know just how big of a difference the .24 and .48 would be musically and really appreciate your insight. I love the resolving power of the .24, can't give that up
the more volume part of the equation is that the Salk Soundscape 10s are 84db efficient and I have to have my Doshi in the top several clicks to get sufficient driving volume where you really separate out things. It wasn't a problem till I switched to the lower efficiency speakers. The Doshi is a step down attenuator so it isn't clipping being near the top end of it's range.
In addition woofer pumping takes a lot of wattage away from the music and makes a hard load to drive
The cartridge is on a triplaner arm - I was fighting woofer pumping for a while. With help from Richard Gray locally, Doug Deacon, Mehran and Thom Mackris of Galibier we were able to isolate this with a feather test. A feather should be able to lift a properly functioning arm. The arm bearing wasn't working and so the cantilever was doing all the up down motion and causing subsonic woofer pumping and damage to the suspension.
Tri totally reworked my arm and all was well the last year. The pumping has returned but the arm is tracking correctly vertically.
I believe the cartridge issue is one of two things
The suspension has finally given way from all the arm rigidity abuse or I was not properly using my magic eraser, just barely lightly rubbing slowly from back to front (Richard Gray freaked out). He showed my how to dip the cartridge in the eraser a few times instead.
Universe II - tis tempting - ouch on the price. I've read all your reviews on it Doug and I listen to a broad range of music from the period piece chamber ensembles we both love so well, symphonies, acoustic jazz, rock, folk, everything really. Especially acoustic instruments in space. I play upright bass and my son is in several symphonic groups
Tell me more about Andy Kim. Does he work on ZYX?
Maybe the cartridge can be salvaged.
Perhaps sending this back to Mehran is in the cards