kk
I don't believe with a headshell there is a standard of appropriateness that is independent of the overall sound it plays a part in making. That is to say, the appropriate headshell is the one that, along with your cart and tonearm, produces your preferred sound. A consequence of this is that, absent experience with a particular combination, no one can predict which one will work best. Thus, a headshell made of other-worldly materials and with an other-worldly price may not be better for you than the 'cheap' stamped one.
Unfortunately, this means that, like Mofimadness (and myself), you'll end up with a box full of headshells.
Having said all that, here are some considerations to keep in mind when shopping:
1. overhang adjustability: some headshells (e.g., AT mg-10) have pre-set holes and are not adjustable, while others have pre-set holes but are adjustable via a set screw (AT ls-12); but most common are the ones with slots.
2. weight: be sure that your arm can balance the headshell + cart combo
Being close to the source (the cart), I believe headshells are very important. I just experienced a case in point. I recently mounted a victor z1 mm cart onto a cool looking vintage victor headshell made around the same time as the cart. I reasoned that victor wouldn't make a headshell that didn't match well with one of their signature carts. I was wrong: I couldn't get the combo to sound nearly as good as the first combination I tried (z1 with AT ls-12 headshell). Tonight, I tried a 3rd combo: z1 + lp gear zupreme hs): again, significantly different from the first two.
Finally, don't forget the importance of headshell leads. Personally, I prefer and use silver ones (with kondo and ikeda and, soon, zyx wire). Since you're just starting out, I recommend buying some good silver wire and clips and getting someone to make you leads (unless you are good at soldering and can make them yourself). That way, (assuming you would follow the trajectory of the typical neurotic audiophile) you'll save yourself from amassing a graveyard of leads (like I have) that weren't good enough.
...could someone please reccommend an appropriate headshell.
I don't believe with a headshell there is a standard of appropriateness that is independent of the overall sound it plays a part in making. That is to say, the appropriate headshell is the one that, along with your cart and tonearm, produces your preferred sound. A consequence of this is that, absent experience with a particular combination, no one can predict which one will work best. Thus, a headshell made of other-worldly materials and with an other-worldly price may not be better for you than the 'cheap' stamped one.
Unfortunately, this means that, like Mofimadness (and myself), you'll end up with a box full of headshells.
Having said all that, here are some considerations to keep in mind when shopping:
1. overhang adjustability: some headshells (e.g., AT mg-10) have pre-set holes and are not adjustable, while others have pre-set holes but are adjustable via a set screw (AT ls-12); but most common are the ones with slots.
2. weight: be sure that your arm can balance the headshell + cart combo
Being close to the source (the cart), I believe headshells are very important. I just experienced a case in point. I recently mounted a victor z1 mm cart onto a cool looking vintage victor headshell made around the same time as the cart. I reasoned that victor wouldn't make a headshell that didn't match well with one of their signature carts. I was wrong: I couldn't get the combo to sound nearly as good as the first combination I tried (z1 with AT ls-12 headshell). Tonight, I tried a 3rd combo: z1 + lp gear zupreme hs): again, significantly different from the first two.
Finally, don't forget the importance of headshell leads. Personally, I prefer and use silver ones (with kondo and ikeda and, soon, zyx wire). Since you're just starting out, I recommend buying some good silver wire and clips and getting someone to make you leads (unless you are good at soldering and can make them yourself). That way, (assuming you would follow the trajectory of the typical neurotic audiophile) you'll save yourself from amassing a graveyard of leads (like I have) that weren't good enough.