Why are records still warped?


This is more of a grouse than anything because I know the molding process won't ever be perfect. Still, here we are in the 21st century in the midst of a vinyl revival. Artists get it and are trying to satisfy us geeks with tasty pressings.

Cases in point are Bennett & Gaga's "Cheek to Cheek" and Lennox' "Nostalgia." Ordered both of them in (live in the sticks so no local source) and one dished, the other warped. Neither are unplayable, but both conditions are audible. Disappointing to say the least on such outstanding efforts.

The same week they arrived, I got copies of Hampton's "Silver Vibes" (mono) and Mendes' "Look Around" used at a swap meet. Perfectly flat with outstanding fidelity, especially considering their age.

Many of my "not" Golden-era pressings from the mid-70s through late-80s also lived up to expectations when I got them home. Many more did not, and that's why I ended up jumping on the CD bandwagon with a Sony CDP-101 in 1983.

In 2015, my digital playback deck is about 1000% better, CDs are better, SACDs are even better still, HD downloads can be superb, but still none of them best vinyl at its best. Unless it's warped.

We have the technology, know better and can better control the process. So, what is up with the warp thing? Is it laziness, budget or what?!?
effischer
New LPs are warped either because they were removed from the LP stamper before they had cooled sufficiently, or because they were not transported and stored properly after they left the pressing plant, or both. But what you are really asking is why, when everyone knows the above is the case, are the measured necessary to prevent warps from developing not taken? Good question. Chad?
About 50 to 65 percent of the new vinyl I purchase is either warped, dished or has some sort of serious flaw. I buy a lot of vinyl and find it disconcerting at best. This seems to be the trend and increasing of the past 3 years. I've been buying vinyl for over 45 years.

I now only buy from a vendor which accepts returns because of this problem.
Because records are one of the most inherently flawed yet still loved inventions of all time.

Next time you are on a rollercoaster, pretend the track is the groove and that you are the stylus trying to track it.

See what I mean? :^)

Actually riding a rollercoaster is nothing compared to what a stylus has to do to track a record, especially when the modulations associated with big dynamics and good transients start to hit. And in stereo none the less.

No wonder we love the things. Its amazing that they work as well as they do, warps and all.
Well, I guess they made roller coaster better back in the day. Of course it is a system that is plagued with potential issues.....we all know that....but it is not an excuse for the poor quality control that is being pushed out today when compared with years past.

The biggest frustration is that taking warps, dish issues and at times poor pressings a side today's pressing would sound significantly better than yesterday's records. Sometimes it just takes returning a bad copy over and over again until a clean copy is found.

If consumers are as diligent as I am it won't take long before the pressing plants are force to improve their QC...or else they will be losing money.

My fear is that they will abandon it due profit margins, as well as the consumer due to frustration with bad sound.

BTW.....now is the time to buy used cd s. ...they can be had for a dollar...or so.