How to remove harshness from my digital gear


Some help would be appreciated here.

I want to replace my dac and transport(moon dac3+ classe cdt-1 trans)In my system whit my ears i find this combo harsh and bright. It is the reason why i want to replace it. I was thinking about raysonic or cary tube cd player but i cannot ear one of them before taking my descision.

Any one have experimented moon gear vs cary or raysonic.
Between cary or raysonic wich one would be the less bright and the more liquid.

MY system: Dynaudio contour s5.4
Moon w3 amp
Marantz sc11-s1 preamp
All my cable have a neutral sound signature

Thank you
128x128thenis
All my cable have a neutral sound signature

What is your definition of the word "neutral". Many folks refer to revealing or bright cables as "neutral". While some realize that neutral means neither bright nor dark sounding.

I would recommend a tube preamp and/or some warmer cables.
Post removed 
I have Dynaudio Contour 1.3mkII speakers. They can tend towards the "bright" side or knock your socks off, all depending upon what you feed them. They knock my socks off mostly everytime these days, except perhaps with the very worst digital recordings, very few in fact.

I feed them:

Squeezebox TOuch->audioquest TOSLINK digital IC ->mhdt COnstantine SS DAC -> DNM Reson IC -> Audio Research sp16 tube pre-amp -> DNM Reson IC ->Bel CAnto ref1000m monoblocks-> Audioquest cv 6 wires -> Dynaudios.

ARC tube pre-amp is the biggest key to avoiding digital harshness I would say. A good tube pre-amp or tube buffer as Elizabeth suggests might be the most effective way to tame the harshness in OPs case as well I suspect.

A good tube pre-amp might be the ticket.

I also have the Dynaudios well apart jut a foot or two from sidewalls and with tweeters facing to the outside of my listening position, not firing direct. That alone (speaker placement/orientation) is an easy tweak to try without changing anything. This also tend to enable a bigger and more holographic soundstage in my small 12X12 listening room as well I find. The Dynaudios are great at that when set up accordingly.

The Dyns also tend to have just the right amount of dynamic attack and bite in the higher frequencies, very revealing but without being harsh or irritating this way. I love that about them! The Esotar tweeters Dynaudio uses are fantastic, but seem to require a bit of proper taming in set up it seems in order to be well behaved, especially with many digital recordings.
There is a rumour that Raysonic has folded; There is still a website, but no dealers listed online. Well reviewed gear, you should contact Raysonic Canada. I was looking to buy one of their CDPs, but couldn't contact anybody.
Some of the best sounds I have heard at dealer showrooms over the years have come from Dynaudios set up this way, much farther apart and closer to sidewalls than many and with tweeters aimed mostly but not necessarily directly forward, towards the outside of sweet/prime listening spot, not at it.