How to remove harshness from my digital gear


Some help would be appreciated here.

I want to replace my dac and transport(moon dac3+ classe cdt-1 trans)In my system whit my ears i find this combo harsh and bright. It is the reason why i want to replace it. I was thinking about raysonic or cary tube cd player but i cannot ear one of them before taking my descision.

Any one have experimented moon gear vs cary or raysonic.
Between cary or raysonic wich one would be the less bright and the more liquid.

MY system: Dynaudio contour s5.4
Moon w3 amp
Marantz sc11-s1 preamp
All my cable have a neutral sound signature

Thank you
128x128thenis
What most people think is digital harshness is usually something else in the system. No harshness from my Audio Research CD player. I stopped trying to mix and match transport, DAC and cable long ago and I am much happier.
Personally, I have not found digital harshness to be a problem with most any digital gear I have acquired in recent years, even with Japanese brands like Marantz or Denon. Using a player takes some of the guesswork out but my opinion is that most cases of digital brightness or harshness these days is due to other factors, not the digital itself. DIfferent digital gear will sound different on a revealing system, but I have not heard any sound inherently bright or harsh in my system for many years. There has always been a way to make it work, usually having to do with synergy of gear overall and room acoustics. Nothing uniqque to digital there! Its just the details of setup that might be needed to make the digital sound good may not be the same as with phono, for example, unless both sources are put together in a manner where both tend to sound inherently similar to start with.
Most of the problem is related to the CD. Stock off the shelf CDs almost always sound harsh, tinny, thin, generic, boomy, grainy, two dimensional, distorted, uninvolving, boring and metallic.
Even with an analog front end, there is such a thing as a harsh cartridge. Analog or digital, start at the very source of the sound and go from there by isolating and substituting until you have identified the harsh contribution to your sound.

Enjoy the music.
Steve at Emperical Audio:

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