Why do digital cables sound different?


I have been talking to a few e-mail buddies and have a question that isn't being satisfactorily answered this far. So...I'm asking the experts on the forum to pitch in. This has probably been asked before but I can't find any references for it. Can someone explain why one DIGITAL cable (coaxial, BNC, etc.) can sound different than another? There are also similar claims for Toslink. In my mind, we're just trying to move bits from one place to another. Doesn't the digital stream get reconstituted and re-clocked on the receiving end anyway? Please enlighten me and maybe send along some URLs for my edification. Thanks, Dan
danielho
My system images and does detail very well, with detail as good as most any of the best headphone setups I hear or my phono source, essentially as best I can tell. IE no detectable issues ommissions, flaws, etc. So I am sure jitter exists and could be made better (nothing is perfect), but impact in my case to-date is just not an issue.

Of course, although I am always listening to various things to know better, you never know for sure what you may be missing until you hear it, but I do listen to a lot of music in various ways enough to be able to make a good determination whether things are going well or not.
Note that the architecture used for digital streaming can be a variable in determining end results, but I find if done well a certain way, then the wire between the source and DAC seems to make little difference, as long as of good quality, and perhaps not too long as Kijanki suggests.

The architecture I like is wireless network connection from server to streaming device (for physical and electrical noise isolation from potential noisy commercial computer gear), and SPDIF/TOSLINK from streamer to DAC. Most network streaming devices buffer data which help to avoid timing issues at the source.

Then choose your DAC of preference for the sound you like. If it does reclocking very well, then that is an extra insurance policy in case of any doubt. The trend seems to be for more and more DACs to do this these days.

THen use a good quality digital wire that is not too long and you should have all teh bases covered.
I second Mapman's recommendation of network streaming. Computer speed, amount of RAM, playback program, file format etc. make no difference since timing is recreated on the other side of the bridge (saves a lot of money). Sound still can be affected by ambient electrical noise but in this respect slow computer might be better than the fast one.

Asynchronous USB should be good as well since, as name suggests, it does not use noisy/jittery timing from computer by buffering the data and requesting different amount of samples each frame to keep buffer between underflow and overflow.
YEs, asynchronous USB is the other key technology, especially I think if a general purpose computer is the source for streaming to DAC and maybe also if one wishes to push the limits in regards to high resolution digital audio files in that this is a newer technology than traditional SPDIF/TOSLINK. Maybe.
Mapman, you are testing my memory. I believe they were all 1.0 m and all in good condition. The brands were Elco, Legend(?), Virtue, Monster, and some unknown cable. The Elco was the best.