Just a comment on what I term smearing. If smearing of sounds occurs due to cables then it tends to happen to all sounds (as opposed to vibration which tends to just affect one narrow band).
The effect it has on all sounds is to obscure the fine detail, but accentuate transients by making them last longer. So the cymbals spit, voices are overcome by sibilance and go hard when they are pushed hard by the singer, and the bass seems nicely weighty but lacking articulation and seemingly behind the beat. If you approach these effects thinking they are merely an issue of tonality you will be wanting to tighten up the bass, but smooth the upper frequencies. A warmer cable or component may tame the harshness of upper frequencies, but the bass gets worse. A leaner cable or component gets you more articulation in the bass but the upper frequencies get harder. Sound familiar at all?
Solid core cables tend to be better at avoiding smearing, and the sound is smooth and grainless, with black silent backgrounds. You don't get that crispy crunchy sound accompanying the transient (which I think is what Dekay is describing) that comes from smearing the initial attack. So instruments like classical guitar can sound wonderfully natural with solid core cables. But finding one that performs well over the full frequency range has always eluded me. It is too early for me to tell whether the 47Labs Kit is the exception, but Ken (Caterham1700) reports that it is, and so far the 47Labs sounds more promising than any other solid core cable I have tried.
The most interesting part to me is the fantastic PRAT that is emerging from this cable. I reckon PRAT comes from minimising smearing, so that the listener perceives the transients to be happening at the correct time, thereby perceiving the band to be playing "in the groove" together. That should suggest that all solid core cables have good PRAT, but not so, which comes down to the fact they tend to only work well over a narrow band. But this time the speed of this cable has a coherence top-to-bottom that I cannot recall hearing in my system before.
All of that makes me think I should have tried some Tara Labs cables before now. I would be very interested to hear from some Tara owners on this one.
The effect it has on all sounds is to obscure the fine detail, but accentuate transients by making them last longer. So the cymbals spit, voices are overcome by sibilance and go hard when they are pushed hard by the singer, and the bass seems nicely weighty but lacking articulation and seemingly behind the beat. If you approach these effects thinking they are merely an issue of tonality you will be wanting to tighten up the bass, but smooth the upper frequencies. A warmer cable or component may tame the harshness of upper frequencies, but the bass gets worse. A leaner cable or component gets you more articulation in the bass but the upper frequencies get harder. Sound familiar at all?
Solid core cables tend to be better at avoiding smearing, and the sound is smooth and grainless, with black silent backgrounds. You don't get that crispy crunchy sound accompanying the transient (which I think is what Dekay is describing) that comes from smearing the initial attack. So instruments like classical guitar can sound wonderfully natural with solid core cables. But finding one that performs well over the full frequency range has always eluded me. It is too early for me to tell whether the 47Labs Kit is the exception, but Ken (Caterham1700) reports that it is, and so far the 47Labs sounds more promising than any other solid core cable I have tried.
The most interesting part to me is the fantastic PRAT that is emerging from this cable. I reckon PRAT comes from minimising smearing, so that the listener perceives the transients to be happening at the correct time, thereby perceiving the band to be playing "in the groove" together. That should suggest that all solid core cables have good PRAT, but not so, which comes down to the fact they tend to only work well over a narrow band. But this time the speed of this cable has a coherence top-to-bottom that I cannot recall hearing in my system before.
All of that makes me think I should have tried some Tara Labs cables before now. I would be very interested to hear from some Tara owners on this one.