Btw: "The problem is the bare OTA wire itself is too stiff to be a good tonearm wire. The stiffness will play havoc with the tonearm's antiskating."
Correct, OTA is stiffer than tonearm cables. But there is a way to spiral it away from the arm that will not seriously affect antiskating (even if it will increase signal length) assuming that one can position the phono stage as one needs.
Sead: "Please, don't use OTA from cartridge to phono stage!" Sead, I hope you spend a little time discussing what makes this prohibition necessary. There is something mysterious here... even though I can intuit what might motivate your immediate rejection from my own resistance to proceeding with this experiment. It certainly would be less work and hassle to just take the SY cable plug shoes off of the end of the arm wire, strip off the insulation a bit, and install it in the OTA plugs. But the shoe/crimp contact I am using right now seems altogether satisfactory (even though there is a solder joint there between the tonearm wires and the shoes). Today, I inspected and cleaned the contact and thought I would try some fluid with it to improve conductivity. One contact fluid (Reson Licon) had detrimental sonic effects. I wasted a lot of time waiting for the abrasive mid-ranges introduced by it to go away and I eventually wiped away all traces of it.
For deoxidation/desulfidization the technical sprays from CRC (by which I mean Kontakt 60 and Kontakt 61) have worked wonderfully with OTA, and exhibit only minimal detrimental effect on sound. BTW, CRC puts out alot of other technical sprays: Kontakt WL, Kälte 75 Super, Kontaflon 85, Drückluft 67 plus, Video 90, Tuner 600, Sprühöl 88, Screen 99, Antistatik 100, Etikette LX, and Reiniger 601 do their specific jobs right.
Correct, OTA is stiffer than tonearm cables. But there is a way to spiral it away from the arm that will not seriously affect antiskating (even if it will increase signal length) assuming that one can position the phono stage as one needs.
Sead: "Please, don't use OTA from cartridge to phono stage!" Sead, I hope you spend a little time discussing what makes this prohibition necessary. There is something mysterious here... even though I can intuit what might motivate your immediate rejection from my own resistance to proceeding with this experiment. It certainly would be less work and hassle to just take the SY cable plug shoes off of the end of the arm wire, strip off the insulation a bit, and install it in the OTA plugs. But the shoe/crimp contact I am using right now seems altogether satisfactory (even though there is a solder joint there between the tonearm wires and the shoes). Today, I inspected and cleaned the contact and thought I would try some fluid with it to improve conductivity. One contact fluid (Reson Licon) had detrimental sonic effects. I wasted a lot of time waiting for the abrasive mid-ranges introduced by it to go away and I eventually wiped away all traces of it.
For deoxidation/desulfidization the technical sprays from CRC (by which I mean Kontakt 60 and Kontakt 61) have worked wonderfully with OTA, and exhibit only minimal detrimental effect on sound. BTW, CRC puts out alot of other technical sprays: Kontakt WL, Kälte 75 Super, Kontaflon 85, Drückluft 67 plus, Video 90, Tuner 600, Sprühöl 88, Screen 99, Antistatik 100, Etikette LX, and Reiniger 601 do their specific jobs right.