Wow, Nightdoggy and Danielk141 bring up names of reviewers that I actually learned something from. DB Keele, J Gordon Holt, Steven Stone, and Thomas J Norton. Nightdoggy, you are oh so right in that Keele in the less esoteric 'Audio' was able to put so much more forth than ANYONE today at Stereophile.
As far as Scull being a good guy, easy to talk to, approachable, blah, blah, blah, who cares? His task was to review audio equipment. Being a nice guy is secondary to me. I pay for the magazine to learn about audio equipment. Equipment, which if it piques my interest, I may even audition and ultimately, purchase. I have no use for hearing about a fine Cabernet, the Ribbon Chair, K - 10's moniker for a UPS employee, or stories of his father. I don't care that he was a good writer, or loved what he did. It is all rubbish.
If these are criteria for being an audio reviewer, I can name many people on this site who would make Jonathan Scull a forgotten man in the course of one issue. How about Asa, Brulee, Carl_eber, Garfish, Dekay, Eldragon, Natalie, Sdcampbell, Swampwalker, Tubegroover, etc. These are all people I have actually conversed with, and have proven their real world knowledge and love for audio to me. Most of them are extremely well written. No one of this group could displace Jonathan Scull, John Atkinson, Kalman Rubinson, Michael Fremer? I do not believe it.
If this was a sacrifice, a bloodletting, great. If it wasn't, great. Does anyone besides me hold out faith that the magazine may actually be trying to return to the greatness it used to have?
My only take is that Stereophile has improved itself by parting ways with a reviewer with a penchant for high ticket items, and as has been mentioned, a lot of toys in his loft. I would have respected the man if he reviewed the likes of Cambridge D500/D500 SE and let me know what it sounded like. Price tag being secondary.
If anyone doubts my assertion of how he turned up his nose at approachable equipment reviews; seeing them as his wading through raw sewage, read the Sony SCD-333ES review. The review begins with JA asking Scull to review the player. Well, we all have to take on a job that is beneath us once in a while, eh J - 10?
If anyone can dig up an old copy of a Stereophile review from Dick Olsher, you will see what a proper audio review SHOULD be. You will not read about imported cheese, or hanging beef, but a thorough, in - depth report on the way a component worked, sounded, and fit in with a system. Associated components would be switched around to fully ascertain what a product offered, and what it didn't.
As an example, when was the last time Stereophile featured a review as Dick did of the JMlabs speakers? The awful Focal tweeters he came across in two of their speakers over the course of a year was laid bare in all their wretched glory. If anyone has come across these, you know what I am talking about(also check out any Osborn speaker with a Focal Ti tweeter). It's enough to drive a deaf man out of the room. The reviews got people all up in a huff. The result, Focal immediately made a switch to a different tweeter and modified the crossover network. Focal has spent the past decade getting things to the point where they are actually listenable. Bravo, Dick Olsher.
Can anyone imagine Scull providing this type of service to the industry? The fact that he is able to enjoy his Utopias is a homage to Dr. Olsher.
I remember Steven Stone telling things as they were also. Believe me, I listen to enough equipment to know that there is some real garbage out there. Price is no barometer of musicality in high end audio. I can name $1000 amplifiers that I would take over $5000 amps. Are they that afraid to submit reviews that actually lay out in hard and fast terms the sound of a component? Will they suffer that kind of loss in advertising revenue? I for one, would rather pay what I used to pay for the subscription in return for honesty, integrity, and their winning back my trust.