a quick potential fix. I was trying to use a pair of HT pro silway II (silver and copper)between my CDP (ARC CD-2 going to VTL tube gear then to Dunlavy Athenas) and pre but they had a horrible top end glare while doing a bunch of other things much better than the all copper truth links which didn't have the glare. While experimenting with vibration control to see what i could gain/loose (both did occur depending on what control approach i used) i found that a set of cones/vibropod combo under the CDP took away all the glare while leaving the positives intact. adding some vibropods to your set up may be worth a try along with mass loading. Cheaper than a new pair of speakers
Need Help With a Bright System
My system consists of two NAD C 272 monoblocks, an NAD C 162 preamp, and an NAD T 532 DVD player. The speakers are Triangle Antal XS. My problem is that the system can sound pretty edgy and bright on many recordings, particularly rock and pop albums. One very noticeable aspect of this bright sound is edgy vocals that have exaggerated sibilants (i.e. ‘S’ sounds). I'm currently using a pair of Kimber Timbre interconnects between the preamp and monos, and Acoustic Research silver series interconnects between the dvd player and the preamp. I was using a pair of Kimber PBJs between the dvd player and preamp, but found the ARs to be warmer and better on the bass. The speaker cables are a pair of Straightwire Quartets, which I believe are plain copper. Does anyone have any suggestions on how to get rid of this bright sound? Obviously I wouldn't like to lose detail while doing so, but I understand that this may be a trade off. I'm willing to make a necessary upgrade, but I just want to ensure that whatever I chose to upgrade will definitely take away a lot of the brightness that I currently hear in this system. I know that using a tube amp instead of solid state would make a huge difference, but what else can be done?
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- 40 posts total
- 40 posts total