Reviews with all double blind testing?


In the July, 2005 issue of Stereophile, John Atkinson discusses his debate with Arnold Krueger, who Atkinson suggest fundamentally wants only double blind testing of all products in the name of science. Atkinson goes on to discuss his early advocacy of such methodology and his realization that the conclusion that all amps sound the same, as the result of such testing, proved incorrect in the long run. Atkinson’s double blind test involved listening to three amps, so it apparently was not the typical different or the same comparison advocated by those advocating blind testing.

I have been party to three blind testings and several “shootouts,” which were not blind tests and thus resulted in each component having advocates as everyone knew which was playing. None of these ever resulted in a consensus. Two of the three db tests were same or different comparisons. Neither of these resulted in a conclusion that people could consistently hear a difference. One was a comparison of about six preamps. Here there was a substantial consensus that the Bozak preamp surpassed more expensive preamps with many designers of those preamps involved in the listening. In both cases there were individuals that were at odds with the overall conclusion, and in no case were those involved a random sample. In all cases there were no more than 25 people involved.

I have never heard of an instance where “same versus different” methodology ever concluded that there was a difference, but apparently comparisons of multiple amps and preamps, etc. can result in one being generally preferred. I suspect, however, that those advocating db, mean only “same versus different” methodology. Do the advocates of db really expect that the outcome will always be that people can hear no difference? If so, is it the conclusion that underlies their advocacy rather than the supposedly scientific basis for db? Some advocates claim that were there a db test that found people capable of hearing a difference that they would no longer be critical, but is this sincere?

Atkinson puts it in terms of the double blind test advocates want to be right rather than happy, while their opponents would rather be happy than right.

Tests of statistical significance also get involved here as some people can hear a difference, but if they are insufficient in number to achieve statistical significance, then proponents say we must accept the null hypothesis that there is no audible difference. This is all invalid as the samples are never random samples and seldom, if ever, of a substantial size. Since the tests only apply to random samples and statistical significance is greatly enhanced with large samples, nothing in the typical db test works to yield the result that people can hear a difference. This would suggest that the conclusion and not the methodology or a commitment to “science” is the real purpose.

Without db testing, the advocates suggest those who hear a difference are deluding themselves, the placebo effect. But were we to use db but other than the same/different technique and people consistently choose the same component, would we not conclude that they are not delusional? This would test another hypothesis that some can hear better.

I am probably like most subjectivists, as I really do not care what the outcomes of db testing might be. I buy components that I can afford and that satisfy my ears as realistic. Certainly some products satisfy the ears of more people, and sometimes these are not the positively reviewed or heavily advertised products. Again it strikes me, at least, that this should not happen in the world that the objectivists see. They see the world as full of greedy charlatans who use advertising to sell expensive items which are no better than much cheaper ones.

Since my occupation is as a professor and scientist, some among the advocates of double blind might question my commitment to science. My experience with same/different double blind experiments suggest to me a flawed methodology. A double blind multiple component design, especially with a hypothesis that some people are better able to hear a difference, would be more pleasing to me, but even here, I do not think anyone would buy on the basis of such experiments.

To use Atkinson’s phrase, I am generally happy and don’t care if the objectivists think I am right. I suspect they have to have all of us say they are right before they can be happy. Well tough luck, guys. I cannot imagine anything more boring than consistent findings of no difference among wires and components, when I know that to be untrue. Oh, and I have ordered additional Intelligent Chips. My, I am a delusional fool!
tbg
Tvad, I applaud your dedication to this hobby and I truly wish you derive an enormous degree of personal satisfaction for being a practicing audiophile, but I still strongly disagree with you on a key issue. Tapping your toes and grooving to the music is great, but even non-audiophiles tap their toes. As I see it audiophiles are about listening to music reproduced with a high degree of fidelity to the source material. In your 6/13 post you state that you are not interested in fidelity, only whether it makes you feel good. It's real easy to put together a system that sounds good. Pump up the bass, give it a big syrupy midrange and roll off the high end and even well schooled audiophiles will be tempted. It's even easier putting together an "accurate" system with vanishingly low distortion and ruler flat frequency response. What makes our hobby challenging is putting together an accurate system that also sounds good. Just tapping your toes won't get you there.

Boa2, how do you know that I'm not one of the brothers in the SUV?
That was YOU, Onhwy61? I couldn't see you through the cloud of doobage. Welcome aboard, bro.
I even suspect the people in the deeply tinted window SUV with the fancy wheels that was absolutely booming "urban youth music" were lost in the music and tapping their toes. I should have rolled down my window and said hello to my audiophile brothers.

When I read this. I was actually picturing somewhere in suburbia! :-)
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Tvad sez:
I said I don't believe I can reproduce the live event. Indeed, this is what I believe
Of course you can't. You can only reproduce what the recording process produced and stored on the medium used...

Add to that, the imperfections & losses due to the recording process, the imperfections & losses due to the storage medium and the imperfections & losses due to the reproduction system.

In all of our rantings, we are addressing the last of these (the repro system)

At its best, a reproduction system aims at coming close to the original, i.e. what's on the RECORDED medium (not the live event); this seems to me a reasonable target for us audiophiles.

For the live event, you go to the concert hall.