Silver-plated or single metal IC's?

Agree with Clio09 on the MI-2; one of the all time high value products.

The silver/bad and copper/good position stems from a lack of experience with cables in general. Nothing more.

There are excellent and poor examples of both. To deny this is disingenuous.

Audiofeil, I must disagree with you...I have purchased and demo'd many fine silver cables. They simply have a cooler touch and not as warm a presentation generally speaking. Live music is so vivid and bold and warm and rich and full of dynamic life without any sense of edge or stridency...I truly beleive most people go by what they fantasize real music sounds like and not out of experience sitting in front of instruments being played live in a fine hall!

I recently spent quite a bit of time A/B comparing Audio Art IC-1(copper) vs Audio Art IC-3(silver plated copper) interconnects.

For me, it is just real hard to hear much difference at all. Maybe just a very slight bit more HF with the IC-3.

hi leica man:

i have reviewed synergistic research cable, but not the tesla. i heard the tesla cables this past january. i received a personal audition from ted dennehy.

sound was very very detailed. no romance or bloom.

i think that unless you have excellent recordings one may get fatigue. cables seem to be ruthlessly revealing.

Tennis anyone?

In my system the Tesla cables are musical, transparent, detailed, and dynamic with "presence" - much like listening to master tapes in a recording studio. (I've had the good fortune to listen to master tapes in a mastering studio and that's pretty much what my red books sound like to me in my system). They do not however cover my recordings in a rich carmel nor are they subtractive in nature if you know what I mean.

Context as it relates to listener bias is just as importiant as knowing that persons components and speakers.

Mr Tennis wrote:

i like a dull, veiled, laid,back, boring sound capable of putting me to sleep. i hate treble and i don't like detail. i like subtractive coloration to such an extent that all recordings sound the same. you can talk about detail, neutrality all day long.
if you don't tap your foot, it doesn't matter.

i want to relax, not bothered by detail or dynamics. veil the sound and cut off the highs. darkness and dullsville is my motto, by choice. thick caramel syrup makes me happy.

04-10-06

http://forum.audiogon.com/cgi-bin/fr.pl?ddgtl&1144708556&openusid&zzMrtennis&4&5#Mrtennis