Musicnoise - of course there is a difference in construction and materials. Digital cable geometry is tailored to deliver 110 Ohms characteristic impedance and therefore eliminate reflections. How reflections add up and corrupt edge of the signal (causing jitter) can be calculated using Bergeron diagrams. As for analog cables one of the most important factors is dielectric constant of isolation material. Lowest dielectric constant close to one of air=1 is obtained by using oversized tubes made of foamed teflon. Foamed teflon has even better (lower) dielectric constant than solid teflon while oversizing keeps wire inside away from dielectric. Another factor is purity of the metal - not important with digital cables but very important with analog. The best is very pure zero crystal copper or silver. Purity reaches 99.9999999% for copper (9N) and 99.99999% (7N) for the silver. Zero crystal process is simply forging metal into hot forms instead cold ones. Cooling very slow prevents formation of the crystals (impurities resides between crystals). Zero Crystal copper has just one or two crystals per foot while regular oxygen free copper has few thousands. On the top of this many cables have anti-vibration shields and some have even fluid inside. All this is important of course if you believe, like I do, that cables make a real and big difference. If you don't you can as well use lamp cord - saves a lot of money.
Digital XLR vs. Analog XLR - Balanced Cables
What is the difference between a digital XLR/balanced cable and an analog XLR/balanced cable?
What if I used an analog XLR/Balanced cable to carry a digital signal from the digital output of one device to the digital input of another device?
Any risks/damage, etc. . .
What if I used an analog XLR/Balanced cable to carry a digital signal from the digital output of one device to the digital input of another device?
Any risks/damage, etc. . .
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- 40 posts total
- 40 posts total