I hadn't seen Ken's system when I wrote this. I like his components and share a few of them: the Quantum units and, as previously mentioned have had the Vishnu power cord. My system is a First Sound Deluxe MK 1 1/2 (I haven't fully upgraded to a Mk II or MK III THIS time around (I had a Mk II before, but sold it), ASL Hurricanes, Odyssey Khartago amps, Shunyata Andromeda speaker cable (their first generation speaker cable), Alpha Core Goertz AG 2, Shunyata Gemini, and, until a year ago, Transparent Audio Ultra MM2 (also a killer speaker cable!), Shunyata Python CX power cords (4) and Black Mamba CX (1), Arcam FMJ 23 CD player, Sony DVS 9000 (with so many letters after it, I can't even recall them all) SACD player, JVC 1050 (still a phenomenal player and one that showed that the CLOCK in a CD player made all the difference and trust me, it can sound QUITE realistic for a $700 player), a Teres turntable (I think it's the 135, which they don't make anymore), Nordost Quattro Fil, Tyr and Valhalla interconnects, Shunyata Aries interconnects (with WBT connectors), Finite Elemente Spider equipment rack. Nordost Sort Kones....oh, right, speakers: Hales Revelation 3, Alon Viper Plus (alnico magnets on tweeter and mid drivers), Mirage 490s, Sequerra 7.7, Usher 718 (non-BE) and a few others, including Nola Thunderbolt subwoofers. And 6,000,000 tube traps. Only slightly joking here. The room is constructed with ASC's Iso-Wall Damp system throughout.
Heading over towards acquiring Magnepans if only because it would be great to have a non-cone speaker, and because the 1.7/3.7 are reference-quality speakers and they sound like the actual instruments as I hear them live. I think I can make them sound superior to what I've heard in dealer showrooms, but then I don't have to keep 8 difference sets of speakers in the same room (not good for the sound) and owned enough top-tiered stuff in the past (Watt/Puppies, Versa Dynamics 2.3 turntable, Goldmund Mimesis 9, to name a few) and wrote for a couple of mags (TAS briefly -- VERY briefly) Fi, and Ultra Audio, that I think I can reliably tell the difference between what sounds good to me (we can ALL be fooled by some aspect of sound dazzling us) and what sounds more real (meaning, has 7 out of 10 qualities that one experiences live as opposed to 4 out of 10 qualities one experiences live. (Especially bass "slam" which seems to knock some people out of the park so far that they ignore things like grain, and worst of all, assuming that fullness of tone is a "tubey sounding attribute. It is not, unless you don't hear instruments in person, only thru equipment)
Heading over towards acquiring Magnepans if only because it would be great to have a non-cone speaker, and because the 1.7/3.7 are reference-quality speakers and they sound like the actual instruments as I hear them live. I think I can make them sound superior to what I've heard in dealer showrooms, but then I don't have to keep 8 difference sets of speakers in the same room (not good for the sound) and owned enough top-tiered stuff in the past (Watt/Puppies, Versa Dynamics 2.3 turntable, Goldmund Mimesis 9, to name a few) and wrote for a couple of mags (TAS briefly -- VERY briefly) Fi, and Ultra Audio, that I think I can reliably tell the difference between what sounds good to me (we can ALL be fooled by some aspect of sound dazzling us) and what sounds more real (meaning, has 7 out of 10 qualities that one experiences live as opposed to 4 out of 10 qualities one experiences live. (Especially bass "slam" which seems to knock some people out of the park so far that they ignore things like grain, and worst of all, assuming that fullness of tone is a "tubey sounding attribute. It is not, unless you don't hear instruments in person, only thru equipment)