2. cables
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Some old cables rescued me from computer audio.

I first brought this up under DIGITAL and since the results worked so well, I thought I'd share it here and see if anyone else experienced this.

In a nutshell (a big one), I couldn't figure out why my CDP was not keeping up with my iMac set up, which is a very simple one. With a lot of time on my hands due to a 5 week layoff, I tried an old set of Mapleshade copper ribbon ICs and was gobsmacked at what I heard. My TEAC PD-H600 never sounded this good. The iMac setup was nowhere near as resolving and detailed and yet, fullbodied. I still kept the Zu Missions as speaker wire and thought I had really lucked out.

A week later, and still bored, I tried the matching Mapleshade speaker wire and the window just blew wide open. The clarity was beyond what I though possible but all was not well in casa de nonoise. The lower mids and bass were weakened some and several rows back from the rest of the presentation.

Rummaging around, I found a pair of Clear Day silver speaker wire (single strand, not shotgunned) with bananas and bi-wired them with the Mapleshades. Man o man, if I could make these, I'd retire my crappy job and be happy. I have all the lower mids and bass of the Zu Missions save the clarity which always eluded them. Texture, definition, and tautness now occupy my lower end to compliment what I've achieved from the mids on up.

It's great to hear a bottom half that keeps up with the top half. It's a whole new presentation for me. Again, just thought I'd share and know that a lot of you have done this already so any feedback as to whether I should twist the two together as best I can or leave them separated would be appreciated.

It pays to keep the older sets around, just in case.

All the best,
Nonoise
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nonoise's avatar
nonoise OP
10,834 posts
 
I know bi wiring has been done by others but does anyone know if any major make ever sold bi wire sets of speaker wire that didn't share the same sleeve/jacket?

It would make sense to, sound wise, but the looks would suffer somewhat. Considering the sound I'm now getting, I couldn't care less.

All the best,
Nonoise
tgrisham
1,291 posts
 
I just bought 2 pair of the same speaker cables, one for the bass module and one for the tweeter. I then decided to try Kimber Kable 8 PR wires, bare wire from my monos to the speakers. I ended up staying with the Kimber 8 PR for the bass and keeping one pair of the Morrow Audio (silver coated copper) for the tweeter module. Yes, manufacturers package biwires together, or you can buy separate wires for two runs. In my case, using different wires yielded better results. Just buy what sounds the best to you.
douglas_schroeder
3,281 posts
 
Wow, five weeks to get an IC changed! You're slow! ;)

Seriously, Nonoise, glad you're having fun with wires. It opens a new world to system building, one with profound results. I would encourage you to take the next step and work with sets of cables. They do not have to be expensive, just consistent. You will find even more avenues to better sound via swapping around the entire loom of cables, including speaker cables.

Consider, if you use two cables one will be sonically superior - I find that a "better" cable is so across the fequency spectrum, not only in certain frequencies. Ergo, you would be more advantaged to have two of the better cables than one of each. This is why comparing sets is advantageous, because you can hear the holistic effect of the better cables. If you thought swapping around a couple of wires was impressive, wait until you hear what a fresh set can do! It will make the single wire change seem relatively inconsequential by.

Testimony such as yours is very valuable to the community, since there are always newbies and skeptics who have not tried even such simple changes because in principle they feel it's not worth it. You are now adding to the experiences which show that cables are critically important to tuning a rig. The difference is not small, and in fact only grows to be even more influential as the quality of the system rises.
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almarg
9,670 posts
 
I agree with Ivan that it would most likely be best to keep the biwired speaker cables separated from each other. They are conducting different currents and different frequencies. Twisting them together can only increase interaction between those currents, which biwiring is intended to reduce.

In saying that, I do not completely rule out the possibility that twisting them together might be subjectively preferable, but if it were I suspect it would be because of the introduction of colorations that are complementary to the sonics of the rest of the system.

Close spacing or twisting of + and - conductors that are carrying the same signal, btw, is a completely different story, and is often desirable because it reduces inductance.

Best regards,
-- Al
nonoise's avatar
nonoise OP
10,834 posts
 
Thanks everyone!

I'm keeping them apart: don't want to mess with a good thing. I seem to have 'zero' smearing due to any kind of interaction between the highs, mids and lows.

I have this one CD (Acoustic France) where on one track, a woman walking across the stage, left to right. With every cable I had, there was a slight arc to her path, going higher as she reached the center, and going back down to the other speaker. When I first inserted the Mapleshades, she just went left to right on an even keel. When I added the Clear Day cable, nothing changed in that perception save the added body to the lower mids and bass.

There is something at work here and yes, this is the most fun I've had with my system in a very, very long time. Piano registers are very convincingly done and the instrument stays flat and parallel to the ground. Separation is the best I've experienced. This is so rewarding a gain for so little an investment.

All the best,
Nonoise
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